And Yet, You Are So Sweet might feel like your typical shôjo fare, but that doesn't make it any less entertaining.
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Kei Ishigawa’s A Man is a multilayered meditation and heartfelt journey through identity and prejudices within Japanese society.
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Celine Song's debut, Past Lives, is a movie that is soft and delicate on the surface, yet feels like an absolute gut-punch.
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Follow the Light is a cathartic meditation that explores the importance of social bonds in ensuring the mental well-being of a community.
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A Girl in My Room is a fun, sweet, slice-of-life exploration of two lost souls who are looking for love. (One of whom happens to be a ghost!)
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It is only the charm and charisma of Pierce Brosnan that will have you sit through a viewing of Netflix's puerile comedy, The Out-Laws.
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In this Goggler exclusive, we spoke to The Three Musketeers: D'Artagnan director Martin Bourboulon about his take on the Dumas classic.
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Some of the history in Flamin' Hot may be questionable, but none of it detracts from its inspiring message of never giving up on your dreams.
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Netflix's Malaysian marketing campaign for Extraction 2 is the most half-baked, third world effort that you'll encounter this year.
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Disney's 2023 remake of The Little Mermaid is one of their better live action adaptations, but that remains a very low bar to clear.
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Mrs. Chatterjee vs Norway isn't an entirely horrible watch, but it in no way does justice to the real life story that it's based on.
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Fast X delivers exactly what it's supposed to. Is it enough? Or is more of the same beginning to feel like franchise fatigue?
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Peter Pan & Wendy is yet another pointless, soulless, live-action remake that has us scratching our heads and wondering why it exists.
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In this Goggler exclusive, we speak to Ghosted stars Chris Evans and Ana de Armas about breaking out of the boxes that Hollywood puts them in.
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Touted as Singapore's first creature feature, Circle Line is an interesting effort that does enough to not be a complete waste of your time.
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Russell Crowe plays a franchise worthy version of the legendary Vatican priest, Father Gabriele Amorth, in The Pope's Exorcist.
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At first, we were intrigued. But after watching the travesty that is Winnie the Pooh: Blood and Honey, we just want to burn it with fire.
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A Man Called Otto is an uncynical look at grief, nothing like its trailer suggests, and is all the better for it.
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Shazam! Fury of the Gods is bursting with colour and heart, and a surprisingly delightful escape back into the DCEU.
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The underwhelming Rajah (aka Edge of the World) took so long to be released in cinemas that we can't help but wonder if anyone still cares.
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