Chalamet stirs up controversy, Scrubs makes its comeback, and we review The President's Cake and Pixar's Hoppers.
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Netflix's War Machine blends military action and sci-fi to middling effect, a potentially potent concept squandered by a by-the-numbers execution.
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Bahir and Uma answer your questions on Mando, Kubrick, the Iran war, HBO Malaysia, and the future of cinemas.
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Today, on the Goggler Podcast, Bahir and Uma break down the Lanterns trailer and review The Bluff, Hamnet, and The Bride!
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We sat down with Iñaki Godoy and Taz Skylar to talk the show's secret sauce and how they approached shooting season two of One Piece.
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A swoon-worthy return to form, Bridgerton Season 4 restores romance and sparkle after last season’s misstep.
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We spoke to Nicole Brydon Bloom and Sarah Shahi about playing complicated characters and Dan Fogelman's balancing the soapy with the restrained.
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We review Iron Lung and Crime 101, unpack the BAFTA controversy, and dissect Netflix’s America’s Next Top Model documentary.
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Office time loops meet feudal time travel as we dissect two inventive Japanese films about destiny, identity, and history colliding.
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We sat down with series leads Sterling K. Brown and Julianne Nicholson to talk Paradise, music, and show creator Dan Fogelman.
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We open the mailbag to tackle your questions on how Oscar selections really work and whether celebrity activism actually matters.
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We review The Lincoln Lawyer and Good Luck, Have Fun, Don’t Die, then tackle the thorny ethics of generative AI in a documentary about Lucy Letby.
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We dig into Emerald Fennell's "Wuthering Heights" and wonder whether style and provocation have replaced the novel’s wild, unruly soul.
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We go behind the curtain with Kooza’s artistic director to explore how Cirque du Soleil turns risk and imagination into breathtaking spectacle.
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In Disney+'s High Potential, an eccentric single mother brings out the best in the oldest of detective tropes.
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We sat down with Cross showrunner Ben Watkins to talk about creating new Cross stories and casting Aldis Hodge.
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Heated Rivalry turns a smutty hockey premise into a tender, intentional love story, and a refreshing take on masculinity and intimacy.
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Welcome to Derry explores racism, family, and friendship, but its crowded storytelling and muted horror keep it from being truly great.
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We review The Wrecking Crew and unpack why films like Jay Kelly, Deliver Me From Nowhere, and Rental Family missed the Oscar cut.
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We chat New Year resolutions, Netflix’s acquisition of Warner Bros., spiral through Tarantino’s filmography, and consider the wisdom of a three movie Dune marathon in December.
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