The Hollywood Christmas movie is a long and time honoured tradition. Home Alone. A Muppet Christmas Carol. It’s a Wonderful Life. Elf. The Holiday. Over the years, Tinseltown (pun intended) has had
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It's What's Inside on Netflix leans heavily into style over substance, offering more aesthetics than meaningful insight.
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What does Venom: The Last Dance - supposedly the final movie in this trilogy - mean for Sony's Spider-Man Universe moving forward?
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While not a stand out by any means, Don't Move is nevertheless a compelling high concept thriller that hits all the relevant notes.
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While Outside may not be a landmark zombie movie, it is still an important and very welcome addition to the canon.
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Kiyotaka Oshiyama's Look Back is a powerful and bittersweet ode to friendship that punches far above its succinct run time.
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Smile 2 is a worthy horror sequel that ups the ante of its predecessor but remains plagued by some of its same issues.
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While The Platform 2 does offer some new perspectives and philosophical quandaries, the overall story still comes off as a little undigested.
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Rupert Sanders' remake of The Crow is bland and exaggeratedly violent, with stakes so empty, that It fails to make us care.
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The Mouse Trap is yet another shameless horror cash grab that should never have existed. Just burn it. Burn it with fire.
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The Polish movie Inheritance wants to be Knives Out, but ends up feeling like its poor, unsophisticated cousin.
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Beetlejuice Beetlejuice is a riotously amusing watch that reignites the whimsical madness we cherished in Tim Burton's original.
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Watching It Ends With Us feels as if you’re witnessing a tug-of-war between conflicting visions. The result is incredibly messy.
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Nithilan Swaminathan's Maharaja is a non-linear, Nolan-esque effort that brings a fresh take on an old idea.
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Zoe Kravitz’s Blink Twice is a meet-cute Cinderella tale that gradually unravels into a twisty Get Out-esque satirical thriller.
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Kevin Costner's Horizon is clearly a labour of love, but even that can’t hide the fragmented, incomplete, and bloated narrative of the movie.
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We explore the lasting legacy of Ridley Scott's Alien on the horror genre and it's influence of Fede Álvarez's Alien: Romulus.
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M. Night Shyamalan's Trap may not be the best psychological thriller out there, but it is undeniably a blast to watch.
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Srikanth is an unsanitized and inspiring true story of one man's journey in overcoming the barriers and boxes that society places upon him.
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Project Silence has a promising premise that is ultimately squandered by uninspired tropes and piss poor execution.
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