Wim Wenders Perfect Days offers us a profoundly meditative look into the beauty that we take for granted every day.
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I Saw the TV Glow, with its deep rooted symbolism and clever confrontations of identity, makes for a hauntingly beautiful allegory.
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The Corpse Washer is a generic Indonesian horror that proves that much like ultra-processed food, simulated scares are just empty calories.
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Lee Isaac Chung's Twisters is an endlessly entertaining reminder of why we love the summer blockbuster. More of these please.
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A Quiet Place: Day One is proof that there is still plenty of new ideas left in this ingeniously silent scarefest.
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Mai is a rom-com potboiler that strives for everything - emotional peaks and lows, forbidden love, cultural commentary - and mostly achieves it.
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Netflix's latest live-action adaptation of City Hunter is an explosively entertaining treat for anime fans.
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Why are Malaysian audiences all abuzz over How to Make Millions Before Grandma Dies? We take a look at whether it lives up to the hype.
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Jerry Seinfeld's directorial debut doesn't snap, crackle, or pop. Unfrosted is not “Grrreat!” in any way or form.
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Atlas is an amalgamation of ideas from many, better sci-fi movies, with none of the qualities that made them great.
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Can you escape fate? Or is fate just hogwash? Tarot thinks it's both.
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With a bigger budget and a better writer, Winnie the Pooh: Blood and Honey 2 makes for a much more watchable sequel.
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Forget the naysayers, Ghostbusters: Frozen Empire is a fun, family friendly romp that successfully balances nostalgia and worldbuilding.
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The true crime story at the heart of Curry & Cyanide will leave you shocked, scarred, and utterly dumbfounded.
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Netflix's Spaceman is a weighty look at love and marriage that sputters more than it shines. Adam Sandler is fantastic though.
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While Kung Fu Panda 4 hits all of the right notes, we can't help but wonder if there's much life left in the franchise moving forward.
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Damsel, the third Millie Bobbie Brown-lead Netflix Original, should deliver a lot more with what it promises from its extravagance.
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Ebrahim Hatamikia's Bodyguard is a deeply meditative study on principles and morality that comes to you in the guise of a suspense thriller.
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Orion and the Dark may not be as memorable as Inside Out, but it still delivers a meaningful message to kids in a fun and engaging manner.
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Self Reliance is a strong first effort by writer/director Jake Johnson that unfortunately plays it a little too safe to leave an impact.
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