Once again, Disney's Zootopia 2 excels at using animals as a metaphor to tackle some deeply uncomfortable aspects of humanity.
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Today, on The Goggler Podcast, Bahir and Uma watch and review the first four episodes of the final season of Stranger Things.
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Today, on The Goggler Podcast, Bahir and Uma watch and review Wicked: For Good, the second part of Jon M. Chu's adaptation of the acclaimed musical.
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Edgar Wright’s Running Man blends dystopia, satire, and Stephen King’s early '80s rage into a strikingly relevant 2025 adaptation.
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Today, on The Goggler Podcast, Bahir and Uma watch and review Edgar Wright's brand new adaptation of Stephen King's The Running Man.
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Today, on The Goggler Podcast, Bahir and Uma put forward their theories on why we've always kinda rooted for the Predator.
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With Frankenstein, Guillermo del Toro may have taken his penchant for sympathizing with monsters a little too far.
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Today, on The Goggler Podcast, Bahir and Uma watch and review the third movie in Dan Trachtenberg's Predator reboot, Predator: Badlands.
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Watching Anemone you can't help but wonder whether you can separate the actor from the part. It's a lot harder to do with Daniel Day-Lewis.
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Today, on The Goggler Podcast, Bahir and Uma watch and review Jay Roach's tragicomedy about a marriage in decline in The Roses.
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Sameer Monn reviews Park Chan-wook's No Other Choice in the self-important, corporate style of a viral LinkedIn thought piece.
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Does the ending of The Long Walk capture the nuances of race relations in America? Or is it just another movie that steals agency from a Black man?
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The Conjuring: Last Rites successfully delivers a well-deserved ending for horror cinema’s favourite couple.
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From Sketch to Scale. Toothless is back, and he’s more real than ever. This one will restore your faith in live action adaptions.
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Bullet Train Explosion is about bullet trains and explosions. How can you not love a good, old-fashioned Japanese disaster flick?
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A Real Pain is an brilliant meditation on grief, the human condition, and how we each have chosen to deal with trauma.
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Do Captain America: Brave New World and the MCU deserve the kind of negativity they're receiving? We don't think so.
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Payal Kapadia's All We Imagine as Light is a melancholy ode to the working class lives of women in Mumbai.
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In this week's Chick-Film-A, Sue Ann finds herself gagging on Coralie Fargeat's beautifully disturbing body horror: The Substance.
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While it doesn't quite hit the highs of the original, Kahar: Kapla High Council is nevertheless a truly strong addition to the franchise.
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