Too long, too repetitive, and too tedious to be fun.
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Netflix successfully refurbishes the long lasting J-horror as a terrifying new TV show.
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We review Artemis Fowl, Perry Mason, and Da 5 Bloods.
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Timely. Relevant. Important. Yet incredibly disjointed and messy.
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We review Stargirl, Queer Eye, The Last Days of American Crime, and The Vast of Night.
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We made a visual guide to help you figure out everything that's going on in The King: Eternal Monarch. You're welcome.
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We've come to the end of the series. Here are all the questions that still need answering.
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The Last Days of American Crime, Olivier Megaton's adaptation of a graphic novel by Rick Remender and Greg Tocchini, is an interminable bore.
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Why are South Asian Americans such good spellers?
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We review Central Park, Ramy, Somebody Feed Phil, and Spelling the Dream.
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With a feast of food focused reality TV options available, what is the secret ingredient that makes Somebody Feed Phil so damn tasty?
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We speak to Netflix's Vice President of Original Documentary Programming about the platform's plans for the future.
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We review Normal People, Defending Jacob, and The Lovebirds.
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It's what happens when real housewives try selling real houses.
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Is the latest comedy from the team behind the U.S. version of The Office another comedy classic, or should the mission be scrubbed? We preview the first 3 episodes.
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What better way to rekindle a dying relationship than to immerse yourself in a criminal conspiracy?
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Boots on the Moon!
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The long-awaited television adaptation of Snowpiercer is a completely different beast from both the Bong Joon-ho movie and the graphic novels.
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