In this Goggler exclusive, we spoke with Money Heist stars Enrique Arce and Hovik Keuchkerian about their respective characters.
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This week, our Feisty Indian Aunty watches Clickbait on Netflix and is terrified by social media and the power it has over our thoughts.
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We review Reminiscence and Sweet Girl.
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Bob Ross: Happy Accidents, Betrayal & Greed is a rarity in that it is a documentary that tells a story that's never been told before.
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This week, our Feisty Indian Aunty watches The Chair and is reminded of just how crucial educators are in the lives of our children.
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Netflix announces TUDUM, their first ever global fan event with first looks, new trailers, and exclusive clips for all their hottest shows.
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Sweet Girl has an insane third act twist. Is it earned or is it just dumb? We break it down for you in this explainer.
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Don't let its tropey veneer fool you, Netflix's AlRawabi School for Girls is a series that is deeper, darker, and has a lot to say.
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This week, our Feisty Indian Aunty watches Grace and Frankie and is so happy that these wonderful characters are back in her life.
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Beckett on Netflix unfortunately failed to hold our attention. Here are 10 things we couldn't help thinking about while watching it.
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A far more comprehensible (and enjoyable) introduction to the world of The Witcher than Netflix's Henry Cavill series.
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This week, our Feisty Indian Aunty watches the anthology series Navarasa and is blown away by all nine episodes.
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We chat with production designer Carlos Zaragoza and art director Wendell Dalit about the world of Vivo and the characters that live in it.
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We speak to Oscar nominated director Kirk DeMicco and writer Quiara Alegria Hudes about animated musicals how they cracked the Vivo script.
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The latest Lin-Manuel Miranda musical is is as full of charm as it is great songs.
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We review Myth & Mogul: John DeLorean and Vivo.
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This week, our Feisty Indian Aunty watches the anthology series Feels Like Ishq and falls in love with falling in love.
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We chat to Vivo musical director Alex Lacamoire and voice actor Juan de Marcos about what it was like working on the movie.
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When is a Jean-Claude Van Damme movie not a “Jean-Claude Van Damme movie?" When it’s the delightful French secret agent farce The Last Mercenary.
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We review Blood Red Sky and The Last Mercenary.
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