Netflix's War Machine blends military action and sci-fi to middling effect, a potentially potent concept squandered by a by-the-numbers execution.
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We sat down with Iñaki Godoy and Taz Skylar to talk the show's secret sauce and how they approached shooting season two of One Piece.
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A swoon-worthy return to form, Bridgerton Season 4 restores romance and sparkle after last season’s misstep.
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We review The Lincoln Lawyer and Good Luck, Have Fun, Don’t Die, then tackle the thorny ethics of generative AI in a documentary about Lucy Letby.
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We review The Wrecking Crew and unpack why films like Jay Kelly, Deliver Me From Nowhere, and Rental Family missed the Oscar cut.
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We chat New Year resolutions, Netflix’s acquisition of Warner Bros., spiral through Tarantino’s filmography, and consider the wisdom of a three movie Dune marathon in December.
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Today, on The Goggler Podcast, Bahir and Uma watch and review the first four episodes of the final season of Stranger Things.
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We sat down with Max and Henry about playing Vecna, finding the human moments, and being entrusted with heart wrenching moments.
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We sat down with Mike and Lucas to talk about the vibe on set, their approach to this final season and what they hope for audiences at the end of it all.
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If there ever was a television genre called "elevated coming-of-age," A Good Girl’s Guide to Murder is probably a part of it.
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With Frankenstein, Guillermo del Toro may have taken his penchant for sympathizing with monsters a little too far.
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How does Liam Hemsworth fare as Henry Cavill's replacement? Does Netflix need to stop trying to make The Witcher happen?
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Season 3 of Alice in Borderland feels like a shameless cash grab that exists purely to coast off the popularity of Squid Game.
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Netflix's K-Pop Demon Hunters was a niche passion project that turned into a global phenomenon — how did it happen?
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Today, on The Goggler Podcast, Bahir and Uma watch and review the movie that's currently dominating the Netflix charts in Southeast Asia, Norma: Antara Mertua dan Menantu.
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These days, anything related to Neil Gaiman is controversial, so when I watched Season 2 of The Sandman, I made sure to go in with an open mind. Having never read the
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Dr. Matthew Yap puts forward a thesis on how Squid Game reflects the ruthless forces of neoliberalism and reinforces neoliberal ideologies.
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We spoke to the stars of Happy Gilmore 2, Adam Sandler, Julie Bowen, and Christopher McDonald about their older characters, and Shooter McGavin.
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We spoke to director Kyle Newacheck about taking on a 29 year old comedy classic and the secret sauce behind making a movie like this work.
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In the latest Chick-Film-A, Sue Ann laments Netflix's franchise-ification of Squid Game and how this uniquely Asian product is about to be absorbed by the West.
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