Matthew Rhys is a convincing Perry Mason in this pulpy, whiskey soaked, eight hour origin story of one of literature's most enduring defence attorneys.
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We review Artemis Fowl, Perry Mason, and Da 5 Bloods.
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As we eagerly await Denis Villeneuve’s take on Frank Herbert’s Dune, now seems like the perfect time to revisit the Sci-Fi Channel’s adaptation from 2000.
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Timely. Relevant. Important. Yet incredibly disjointed and messy.
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Jodorowsky's Dune is a documentary on the failed attempt to make the first adaptation of Frank Herbert's sci-fi epic novel.
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EXCLUSIVE: We sit down with the Pennyworth star for a chat about what it was like taking on the iconic role of Batman's butler, Alfred Pennyworth.
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The first in our series of articles on how Frank Herbert's Dune has been adapted, depicted, and received in the 55 years since it was first published.
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Bruno Heller and Danny Cannon give us a compelling origin story that doesn't indulge in the hoary tropes that commonly plague prequels.
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Kenneth Branagh delivers Disney's biggest dud since Ava Duvernay ruined A Wrinkle in Time.
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We review Stargirl, Queer Eye, The Last Days of American Crime, and The Vast of Night.
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We speak to Japanese idol Tomohisa Yamashita, aka Yamapi, about what it was like working on the HBO Asia Original, The Head.
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Writer/director Andrew Patterson's debut feature, The Vast of Night, is an enjoyable callback to the science fiction television (and radio!) of yore.
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We made a visual guide to help you figure out everything that's going on in The King: Eternal Monarch. You're welcome.
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We speak to the magnificent Archie Panjabi about her roles in, not one, but two HBO originals.
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We've come to the end of the series. Here are all the questions that still need answering.
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The Last Days of American Crime, Olivier Megaton's adaptation of a graphic novel by Rick Remender and Greg Tocchini, is an interminable bore.
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