Sweet Girl has an insane third act twist. Is it earned or is it just dumb? We break it down for you in this explainer.
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We review Ada Hantu and The Witcher: Nightmare of the Wolf.
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On this week’s edition of The Goggler Pull List, we review and recommend Curt Pires' Wyrd and Tom King's Supergirl: Woman of Tomorrow.
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Don't let its tropey veneer fool you, Netflix's AlRawabi School for Girls is a series that is deeper, darker, and has a lot to say.
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This week, our Feisty Indian Aunty watches Grace and Frankie and is so happy that these wonderful characters are back in her life.
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With Ada Hantu, Disney Plus Hotstar Malaysia has finally delivered an original that's worth your time. Watch it. It's good.
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Beckett on Netflix unfortunately failed to hold our attention. Here are 10 things we couldn't help thinking about while watching it.
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In this Goggler exclusive, we speak to the star of CODA about taking on something as daunting as Joni Mitchell's "Both Sides Now."
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A far more comprehensible (and enjoyable) introduction to the world of The Witcher than Netflix's Henry Cavill series.
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Trust us when we say that this is the best movie you will see this year.
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On this week’s The Goggler Pull List, we review and recommend two great graphic novels from Ed Brubaker and Sean Phillips: Pulp and Bad Weekend.
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We review CODA and Marvel's What If...?
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Val Kilmer has been capturing his own life on film for decades. In Val, he takes the opportunity to set the record straight.
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This week, our Feisty Indian Aunty watches the anthology series Navarasa and is blown away by all nine episodes.
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Aaron Saidman, the creator and producer of Selena + Chef, talks to us about how nervous he was every time Selena Gomez had to use a knife.
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Created, written, directed, and starring Joseph Gordon-Levitt, Mr. Corman is an intriguing look at the plight of the millennial drifter.
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What If...? may feel a little dispensable next to everything that has come before, but it might also be their most important series yet.
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The legendary actor tells us that there's still a lot more work to be done.
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CODA Director Siân Heder on How Her Remake Addresses the Missed Opportunities of the French Original
She also talks to us about her decision to use Joni Mitchell's "Both Sides Now" and why it's the perfect song for this movie.
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We chat with production designer Carlos Zaragoza and art director Wendell Dalit about the world of Vivo and the characters that live in it.
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