Today, on a very special episode of The Goggler Podcast, Uma speaks to fellow film journalists Katie Rife and Nick Newman about how this new world has changed they do the work
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Once again, Disney's Zootopia 2 excels at using animals as a metaphor to tackle some deeply uncomfortable aspects of humanity.
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Today, on The Goggler Podcast, Bahir and Uma watch and review the first four episodes of the final season of Stranger Things.
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Predator: Badlands, the latest reinvention from Dan Trachtenberg, might be the best argument for what this franchise should have been all along.
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We sat down with Max and Henry about playing Vecna, finding the human moments, and being entrusted with heart wrenching moments.
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We sat down with Mike and Lucas to talk about the vibe on set, their approach to this final season and what they hope for audiences at the end of it all.
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TIFF chairman Hiroyasu Ando discusses balancing arthouse and entertainment, ethical storytelling, and the enduring power of theatrical cinema.
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We sat down with the executive producer and showrunner to talk about making the series and the marriage of storytelling and fossil research.
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Today, on The Goggler Podcast, Bahir and Uma watch and review Wicked: For Good, the second part of Jon M. Chu's adaptation of the acclaimed musical.
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Elaiza Ikeda discusses TIFF’s Ethical Film Award, storytelling with empathy, and how cinema can spark personal reflection on global issues.
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Edgar Wright’s Running Man blends dystopia, satire, and Stephen King’s early '80s rage into a strikingly relevant 2025 adaptation.
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If there ever was a television genre called "elevated coming-of-age," A Good Girl’s Guide to Murder is probably a part of it.
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Directors Alessio Rigo de Righi and Matteo Zoppis discuss Heads or Tails?, deconstructing Westerns, Buffalo Bill, and rewriting cowboy legend.
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Today, on The Goggler Podcast, Bahir and Uma watch and review Edgar Wright's brand new adaptation of Stephen King's The Running Man.
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Today, on The Goggler Podcast, Bahir and Uma put forward their theories on why we've always kinda rooted for the Predator.
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With Frankenstein, Guillermo del Toro may have taken his penchant for sympathizing with monsters a little too far.
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How does Liam Hemsworth fare as Henry Cavill's replacement? Does Netflix need to stop trying to make The Witcher happen?
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Today, on The Goggler Podcast, Bahir and Uma watch and review the third movie in Dan Trachtenberg's Predator reboot, Predator: Badlands.
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Watching Anemone you can't help but wonder whether you can separate the actor from the part. It's a lot harder to do with Daniel Day-Lewis.
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We sat down with Rhea Seehorn to talk about acting by herself and if Pluribus is a response to anything in particular.
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