Today, on The Goggler Podcast, Bahir and Uma watch and review the brand new screen adaptation of the hit musical, Wicked.
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Today, on The Goggler Podcast, Bahir and Uma watch and review Prime Video's brand new adaptation of James Patterson's Cross.
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We spoke with Emily Watson and Olivia Williams about creating these characters, their legacy, and believing in their convictions.
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We sat down with Rachel Zegler and Jenifer Lewis for a conversation about this brand new animated feature, finding their characters' voices, and what it was like singing to Alan Menken's music.
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While This Land of Mine has some ambitious ideas, it doesn't quite take enough risks in order to make a real impact.
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We sat down with Fred Hechinger to talk about joining Gladiator 2, Joaquin Phoenix's Emperor Commodus, and his character's humanity.
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We spoke to Connie Nielsen about returning to the role of Lucilla, Maximus' "presence" in the film, and working alongside Paul Mescal.
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Today, on The Goggler Podcast, Bahir and Uma watch and review the brand new French adaptation of The Count of Monte Cristo.
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Anne-Marie Duff and Fiona Shaw talk to us about returning for a second season and building an off screen relationship.
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Today, on The Goggler Podcast, Bahir and Uma watch and review Gladiator 2, Ridley Scott's sequel to his Oscar winning, sword-and-sandal epic.
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We sat down with Denzel Washington to talk about his legacy, working with Ridley Scott again, and how all things remain the same.
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Today, on The Goggler Podcast, Bahir and Uma answer questions about Gladiator 2, classic movies they are yet to watch, and movie cuisine.
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We spoke to directors Raj & DK, writer Sita R. Menon, Varun Dhawan and Samantha Ruth Prabhu about their new action spy thriller.
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The Hollywood Christmas movie is a long and time honoured tradition. Home Alone. A Muppet Christmas Carol. It’s a Wonderful Life. Elf. The Holiday. Over the years, Tinseltown (pun intended) has had
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Today, on The Goggler Podcast, Bahir and Uma watch and review the M. Night Shyamalan produced thriller, Caddo Lake.
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It's What's Inside on Netflix leans heavily into style over substance, offering more aesthetics than meaningful insight.
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What does Venom: The Last Dance - supposedly the final movie in this trilogy - mean for Sony's Spider-Man Universe moving forward?
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While not a stand out by any means, Don't Move is nevertheless a compelling high concept thriller that hits all the relevant notes.
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Why do some adaptations transcend their source material while others become cautionary tales? How important is loyalty to the original work?
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While Outside may not be a landmark zombie movie, it is still an important and very welcome addition to the canon.
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