Kenneth Branagh delivers Disney's biggest dud since Ava Duvernay ruined A Wrinkle in Time.
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We review Stargirl, Queer Eye, The Last Days of American Crime, and The Vast of Night.
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We speak to Japanese idol Tomohisa Yamashita, aka Yamapi, about what it was like working on the HBO Asia Original, The Head.
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Writer/director Andrew Patterson's debut feature, The Vast of Night, is an enjoyable callback to the science fiction television (and radio!) of yore.
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We made a visual guide to help you figure out everything that's going on in The King: Eternal Monarch. You're welcome.
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We speak to the magnificent Archie Panjabi about her roles in, not one, but two HBO originals.
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We've come to the end of the series. Here are all the questions that still need answering.
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The Last Days of American Crime, Olivier Megaton's adaptation of a graphic novel by Rick Remender and Greg Tocchini, is an interminable bore.
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The latest drama from the multi-talented writer/actress of Chewing Gum, Michaela Coel, tackles a lot of thorny sexual assault issues, but does it bite off more than it can chew?
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Why are South Asian Americans such good spellers?
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We review Central Park, Ramy, Somebody Feed Phil, and Spelling the Dream.
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In Gordon Ramsay: Uncharted, the world's most recognizable chef finds new inspiration in unfamiliar culinary territories.
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This Hulu/BBC Three adaptation of Sally Rooney's critically acclaimed novel, Normal People, might just be the perfect literary adaptation.
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The sharper, shreweder, and much darker Season 2 of Ramy digs deeper into the spiritual lives Ramy Hassan and all those around him.
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With a feast of food focused reality TV options available, what is the secret ingredient that makes Somebody Feed Phil so damn tasty?
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We speak to Netflix's Vice President of Original Documentary Programming about the platform's plans for the future.
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