Disney and Warner Bros. are making some unprecedented moves in this age of COVID-19.
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Who's watching Watchmen?
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Here's our chat with Stargirl's Brec Bassinger and Luke Wilson about what it was like working on a character that was inspired by a tragic true story.
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The less you know about Dave Franco's directorial debut the better. That said, we try to avoid ruining things in our review.
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We review The Rental, Radioactive, and Season 2 of The Umbrella Academy.
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Ellen Page talks Vanya's growth, Emmy Raver-Lampman talks quirks, and we make a small digression into talking about Hamilton.
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Robert Sheehan won't give up his acting secrets, Tom Hopper's wife feels the brunt of his issues, and David Castañeda tells us his favourite running song.
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Ben and the rest of the Hargreeves kids are back! We recently got to sit down with Justin Min and talk Season 2 of The Umbrella Academy.
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We speak to the filmmaker, actor, writer, and musician for a conversation about the weird and wonderful thing that is Room 104.
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Maisie Richardson-Sellers: "My first movie crush? Angelina Jolie. First and last and forever."
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A cleaner, tighter, and far more confident season.
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Joey King: "Elle and I are pretty similar in a lot of ways."
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Look kids, it's the sequel to The Kissing Booth that we all knew was coming. It's the deeper, darker, Empire Strikes Back-ish second movie... oh, who am I kidding?
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We review Room 104, The Kissing Booth 2, and Cursed.
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We continue our catch up with the first season of HBO's Doom Patrol, with tales of puppets, Nazis and superpowers, as well as doom summoning cults.
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A new fantasy franchise that's desperately in need of compelling characters.
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We speak to the legendary John Lithgow about his 48-year career on stage and screen, and how he never fails to surprise us with the parts he plays.
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Director Yeon Sang-ho takes us back into his zombie universe by way of an action heist thriller.
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Netflix gives us another incredibly addictive reality TV show about the plight and pitfalls of modern love and marriage.
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Unnecessary sound effects and overwrought comedic acting make this hard to hate series about death, dying, and the afterlife, absolutely impossible to love.
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