
Last week, Bahir asked if buying a Nintendo Switch was a good idea. Uma and Iain said "yes" WAY TOO FAST, so they're here to explain why.
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BTS had a Grammy within reach and left it there. They were right to.
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We sat down with Jude Mack, Faye Marsay and Abbie Hern to talk about joining the show, expectations and pressure, and all the Ted Lasso "stuff".
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We sat down with some of the cast to talk about their characters and playing supporting roles in a show.
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We sat down with Elizabeth Meriwether to talk about reconciling the culprit and the victim, and having Ronald Bass as an executive producer.
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For the second time this year, the Japanese Film Festival is happening at GSC! Want tickets? Join now to stand a chance to win!
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We spoke to Viu's Head of Original Production for Indonesia and Malaysia to find out more about their recently launched Viu Pitching Forum.
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Netflix's adaptation of Mark Millar's Jupiter's Legacy is a tiresome slog. Here's why it shouldn't be renewed for a second season.
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Based upon Michael Koryta's best-selling book, and despite a great cast, Those Who Wish Me Dead feels like a wasted opportunity.
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In this week's edition of The Goggler Pull List, we look at Garth Ennis' The Boys and another Chip Zdarsky entry, Spider-Man: Life Story.
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We review Without Remorse and Those Who Wish Me Dead.
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This week, our Feisty Indian Aunty watches Shadow and Bone on Netflix and falls in love with Leigh Bardugo's Grishaverse.
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Tom Clancy's Without Remorse is a paint-by-numbers action thriller that all but squanders the charm of it's lead.
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We spoke to The Flash's Danielle Panabaker about her time on the show, what it was like being behind the camera, and why Barry is so sad.
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After a glut of post-apocalyptic adventure movies for young adults, Love and Monsters does more than enough to stick out from the crowd.
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Leigh Whannel's whip smart reboot of The Invisible Man marries the core concept with a more conventional thriller plot to excellent effect.
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This week, Uma, Iain, and Bahir review the two Blumhouse movies currently in cinemas. Spoiler alert. Only one of them is good.
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Iain checks out the documentary on 1996's The Island of Doctor Moreau, director Richard Stanley's last film before Color out of Space.
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Uma, Iain, and Bahir get annoyed at some of the lazy writing that really doesn't belong on a show of this calibre.
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Blumhouse's Fantasy Island, takes the classic television series, adds a few twists, and tries to make it something darker.
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Three volumes, 22 episodes, and counting. Please sir, we want some more.
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You're either a dog person or you just wouldn't care.
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In the latest entry in our Richard Stanley retrospective, Iain takes a look at the South African director's second film: Dust Devil.
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This week, Uma, Iain, and Bahir review Hitman: Agent Jun, The World According to Jeff Goldblum, and Hulu's High Fidelity.
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Here's 12 episodes of Jeff Goldblum being the most curious jazz cat Jeff Goldblum can be.
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Uma, Iain, and Bahir continue on their journey with Picard and his crew, boldly going where no accent has gone before.
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In Hulu's gender swapped reboot, Zoë Kravitz takes on the role made famous by John Cusack.
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Bahir likes to review movies because he can watch them at special screenings and not have to interact with large groups of people who may not agree with his idea of what a movie going experience is. Bahir likes jazz, documentaries, Ken Burns, and summer blockbuster movies. He really hopes that the HBO MAX Green Lantern series will help the character be cool again. Also don’t get him started on Jason Momoa’s Aquaman (#NotMyArthurCurry).
Irish Film lover lost in Malaysia. Co-host of Malaysia's longest running podcast (movie related or otherwise ) McYapandFries and frequent cryer in movies. Ask me about "The Ice Pirates"
Uma has been reviewing things for most of his life: movies, television shows, books, video games, his mum's cooking, Bahir's fashion sense. He is a firm believer that the answer to most questions can be found within the cinematic canon. In fact, most of what he knows about life he learned from Ace Ventura: Pet Detective. He still hasn't forgiven Christopher Nolan for the travesties that are Interstellar and The Dark Knight Rises.


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