
Last week, Bahir asked if buying a Nintendo Switch was a good idea. Uma and Iain said "yes" WAY TOO FAST, so they're here to explain why.
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Sameer is pissed. Malaysians have forgotten how to behave in a cinema, and it's ruining the magic for the rest of us.
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We sat down with director Travis Knight to talk about the movie's tone and committing to sincerity without embarrassment.
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We sat down with Camila Mendes to talk about Teela's relationship with Idris Elba's Man-At-Arms and navigating the nuance of her character.
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In this Goggler exclusive, we sat down with He-Man himself to talk about Masters of the Universe's genre bending tone and saying *the* line.
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For the second time this year, the Japanese Film Festival is happening at GSC! Want tickets? Join now to stand a chance to win!
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We review Netflix's Sweet Tooth and Marvel's Loki.
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With Loki, Marvel trips into the more zanier aspects of comic book lore, proving once again that it's a glorious time to be a geek.
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HBO's deep dive into female skaters returns for another beautifully nuanced and aesthetically pleasing second season.
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Lupin returns to wrap up its first season with five brand new episodes and delivers one of the most satisfying seasons of TV this year.
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In this week's installment of The Goggler Pull List, we recommend two new titles, the sci-fi caper Time Before Time and the eco parable, Eve.
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We discuss the launch of Disney Plus Hotstar, as well as review J2: J Retribusi.
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We've seen the trailer for Lisa Joy's directorial debut, Reminiscence, and absolutely love it. Here are our first impressions.
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This week, our Feisty Indian Aunty watches Tribhanga: Tedhi Medhi Crazy and is in awe of these three women and their individual stories.
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J2: J Retribusi is a paint-by-numbers sequel that is nowhere near good, but is more than happy to be merely good enough.
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I love Hawaii Five-0 and I'm not sorry.
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Netflix's new romantic comedy, manages to single-handedly ruin love for everyone involved.
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In this week’s episode of The Goggler Podcast, Uma, Iain, and Bahir resign themselves to being isolated at home for the foreseeable future.
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The Good Fight returns with a real banger of a season premiere.
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Jim Jarmusch's The Dead Don't Die is a zombie comedy, with some wierdly meta police officers, set in small, rural, everytown USA.
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Another perspective on the Malaysian political thriller Daulat, now streaming for free on iflix.
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Does Malaysia's first ever political thriller accomplish what it sets out to?
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Amazon Prime Video's adaption of Simon Stålenhag's artwork perfectly captures the blend of pastoral landscapes, mecha, and melancholy, but stumbles when it comes to saying more.
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The new HBO dramedy by the team that brought you Fleabag, Run may not beat your Netflix queue and be your next piece of appointment TV.
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We spent 24 hours with Quibi. Here are our first impressions and takeaways. How does it work? Is it just a gimmick? Who is it for?
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As Restricted Movement continues in Malaysia, we've scoured the internet for the best free, LEGAL content you can watch, without having to shell out for a streaming service or VPN.
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Is this the future of anime?
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Bahir likes to review movies because he can watch them at special screenings and not have to interact with large groups of people who may not agree with his idea of what a movie going experience is. Bahir likes jazz, documentaries, Ken Burns, and summer blockbuster movies. He really hopes that the HBO MAX Green Lantern series will help the character be cool again. Also don’t get him started on Jason Momoa’s Aquaman (#NotMyArthurCurry).
Irish Film lover lost in Malaysia. Co-host of Malaysia's longest running podcast (movie related or otherwise ) McYapandFries and frequent cryer in movies. Ask me about "The Ice Pirates"
Uma has been reviewing things for most of his life: movies, television shows, books, video games, his mum's cooking, Bahir's fashion sense. He is a firm believer that the answer to most questions can be found within the cinematic canon. In fact, most of what he knows about life he learned from Ace Ventura: Pet Detective. He still hasn't forgiven Christopher Nolan for the travesties that are Interstellar and The Dark Knight Rises.


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