Last week, Bahir asked if buying a Nintendo Switch was a good idea. Uma and Iain said "yes" WAY TOO FAST, so they're here to explain why.
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Sameer is pissed. Malaysians have forgotten how to behave in a cinema, and it's ruining the magic for the rest of us.
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We sat down with director Travis Knight to talk about the movie's tone and committing to sincerity without embarrassment.
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We sat down with Camila Mendes to talk about Teela's relationship with Idris Elba's Man-At-Arms and navigating the nuance of her character.
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In this Goggler exclusive, we sat down with He-Man himself to talk about Masters of the Universe's genre bending tone and saying *the* line.
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For the second time this year, the Japanese Film Festival is happening at GSC! Want tickets? Join now to stand a chance to win!
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This week, our Feisty Indian Aunty watches the second season of Never Have I Ever and is impressed at how well it handles the teenage psyche.
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As Netflix’s summer trilogy of terror wraps up with Fear Street Part 3: 1666, here are 10 reasons why the series worked so well.
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Masters of the Universe: Revelation is EVERYTHING you want it to be: a cleverly crafted sequel with just the right amount of fanwank.
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Announcing The Goggler Pandemic Movie Club: Horror Edition. Join us on Clubhouse, this Friday, to chat about Fear Street and our favorite horror movies.
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We speak to David Harbour and Frankie Shaw about what it was like shooting No Sudden Move in the middle of a global pandemic.
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The world's greatest songwriter and the world's greatest producer have an intimate and in-depth conversation about making music.
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In this Goggler exclusive, we speak to Cecily Strong and Cinco Paul about Schmigadoon! and how the series came to be.
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James Cameron’s Aliens turns 35 years old this week. Here's why it's still THE perfect sequel by which all others are measured.
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We watch and review First Cow and Fear Street Part 3: 1666. We also look back and dissect the first season of Loki.
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We've come to the end of the series. Here are all the questions that still need answering.
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The Last Days of American Crime, Olivier Megaton's adaptation of a graphic novel by Rick Remender and Greg Tocchini, is an interminable bore.
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The latest drama from the multi-talented writer/actress of Chewing Gum, Michaela Coel, tackles a lot of thorny sexual assault issues, but does it bite off more than it can chew?
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Why are South Asian Americans such good spellers?
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We review Central Park, Ramy, Somebody Feed Phil, and Spelling the Dream.
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In Gordon Ramsay: Uncharted, the world's most recognizable chef finds new inspiration in unfamiliar culinary territories.
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This Hulu/BBC Three adaptation of Sally Rooney's critically acclaimed novel, Normal People, might just be the perfect literary adaptation.
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The sharper, shreweder, and much darker Season 2 of Ramy digs deeper into the spiritual lives Ramy Hassan and all those around him.
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With a feast of food focused reality TV options available, what is the secret ingredient that makes Somebody Feed Phil so damn tasty?
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We speak to Netflix's Vice President of Original Documentary Programming about the platform's plans for the future.
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Bahir likes to review movies because he can watch them at special screenings and not have to interact with large groups of people who may not agree with his idea of what a movie going experience is. Bahir likes jazz, documentaries, Ken Burns, and summer blockbuster movies. He really hopes that the HBO MAX Green Lantern series will help the character be cool again. Also don’t get him started on Jason Momoa’s Aquaman (#NotMyArthurCurry).
Irish Film lover lost in Malaysia. Co-host of Malaysia's longest running podcast (movie related or otherwise ) McYapandFries and frequent cryer in movies. Ask me about "The Ice Pirates"
Uma has been reviewing things for most of his life: movies, television shows, books, video games, his mum's cooking, Bahir's fashion sense. He is a firm believer that the answer to most questions can be found within the cinematic canon. In fact, most of what he knows about life he learned from Ace Ventura: Pet Detective. He still hasn't forgiven Christopher Nolan for the travesties that are Interstellar and The Dark Knight Rises.
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