Last week, Bahir asked if buying a Nintendo Switch was a good idea. Uma and Iain said "yes" WAY TOO FAST, so they're here to explain why.
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BTS had a Grammy within reach and left it there. They were right to.
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We sat down with Jude Mack, Faye Marsay and Abbie Hern to talk about joining the show, expectations and pressure, and all the Ted Lasso "stuff".
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We sat down with some of the cast to talk about their characters and playing supporting roles in a show.
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We sat down with Elizabeth Meriwether to talk about reconciling the culprit and the victim, and having Ronald Bass as an executive producer.
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For the second time this year, the Japanese Film Festival is happening at GSC! Want tickets? Join now to stand a chance to win!
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We speak to the director of 'Twas The Fight Before Christmas about her documentary, her subject, and what she hopes audiences take away.
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The Beatles: Get Back, Peter Jackson's epic documentary, will challenge everything you think you know about the last days of the Fab Four.
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Is Ghostbusters: Afterlife a loving update to a cherished franchise or a cynical cash grab? Our inner 11-year-old says it's the former.
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We speak to the Encanto directors about whether there was any pressure in being responsible for Disney's landmark 60th animated feature.
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We speak to Encanto producers Yvett Merino and Clark Spencer about what it was like making an animated feature during a pandemic.
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The Princess Switch 3: Romancing The Star was never going to set the world on fire, but here are 10 burning questions I had while watching it.
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Hawkeye, a throwback to Marvel's everyman roots, is a smaller, intimate, and low stakes Christmas caper that's just perfect for the season.
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Ahead of Peter Jackson's reframing of The Beatles' final days, we rewatch and revisit Michael Lindsay-Hogg's original take in Let It Be.
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Home Sweet Home Alone is the worst kind of remake. It's lazy, witless, and uninventive. Do yourself a favour and watch the original instead.
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In this second season of Philip Pullman's His Dark Materials there are more witches, more worlds, fewer polar bears, some Dust, and some dark matter.
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Walt Disney Animation's Fantasia turns 80 this year and Bahir decided to take a look back at all the dancing fairies, and elephants and classical music.
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We recap the third episode of the second season of The Mandalorian.
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As Discovery's crew finally reach Federation HQ, Bahir and Iain are standing by with this episode's debrief.
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The Crown returns to Netflix for a fourth season that is every bit as enjoyable as the previous three, and yet still manages to surprise.
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We review Industry, Paranormal, Dash & Lily, and Hillbilly Elegy.
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A pacey, thrilling, and very well-produced manga adaptation.
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Beautifully observed and cleverly constructed, Moonbase 8 is full of comedy potential. So where then were all the laughs?
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Holiday movie or military recruitment ad?
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Ron Howard spins another fantastic yarn, this time about white, working-class America and the struggle to escape their past.
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Refaat is a man of science who doesn’t believe in ghosts or the paranormal. So why is he surrounded by ghosts and the paranormal?
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Bahir likes to review movies because he can watch them at special screenings and not have to interact with large groups of people who may not agree with his idea of what a movie going experience is. Bahir likes jazz, documentaries, Ken Burns, and summer blockbuster movies. He really hopes that the HBO MAX Green Lantern series will help the character be cool again. Also don’t get him started on Jason Momoa’s Aquaman (#NotMyArthurCurry).
Irish Film lover lost in Malaysia. Co-host of Malaysia's longest running podcast (movie related or otherwise ) McYapandFries and frequent cryer in movies. Ask me about "The Ice Pirates"
Uma has been reviewing things for most of his life: movies, television shows, books, video games, his mum's cooking, Bahir's fashion sense. He is a firm believer that the answer to most questions can be found within the cinematic canon. In fact, most of what he knows about life he learned from Ace Ventura: Pet Detective. He still hasn't forgiven Christopher Nolan for the travesties that are Interstellar and The Dark Knight Rises.
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