Last week, Bahir asked if buying a Nintendo Switch was a good idea. Uma and Iain said "yes" WAY TOO FAST, so they're here to explain why.
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Curry Barker's horror runs on the oldest story there is, so why does it land now? Because it knows precisely who's watching.
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In Best of the World, Nat Geo hands the keys to Queer Eye's Antoni Porowski for a tour of four of the world's most over-documented cities.
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We sat down with K Callan to talk about the secrecy around Widow's Bay and her extensive filmography.
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We sat down with showrunner Sam Catlin and executive producer Audrey Chon to talk about that season 1 reveal, using old film clips and the use of voiceover.
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For the second time this year, the Japanese Film Festival is happening at GSC! Want tickets? Join now to stand a chance to win!
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This week, our Feisty Indian Aunty watches The Good Doctor and loves how the show deftly handles its depiction of autism.
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We speak to the director of 'Twas The Fight Before Christmas about her documentary, her subject, and what she hopes audiences take away.
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The Beatles: Get Back, Peter Jackson's epic documentary, will challenge everything you think you know about the last days of the Fab Four.
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Is Ghostbusters: Afterlife a loving update to a cherished franchise or a cynical cash grab? Our inner 11-year-old says it's the former.
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We speak to the Encanto directors about whether there was any pressure in being responsible for Disney's landmark 60th animated feature.
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We speak to Encanto producers Yvett Merino and Clark Spencer about what it was like making an animated feature during a pandemic.
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The Princess Switch 3: Romancing The Star was never going to set the world on fire, but here are 10 burning questions I had while watching it.
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Hawkeye, a throwback to Marvel's everyman roots, is a smaller, intimate, and low stakes Christmas caper that's just perfect for the season.
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Ahead of Peter Jackson's reframing of The Beatles' final days, we rewatch and revisit Michael Lindsay-Hogg's original take in Let It Be.
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You know what? I didn't hate it.
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75 years on from the end of World War II, filmmakers are still finding new stories to tell. Can Netflix's The Liberator stand out from the crowd?
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Let's re-invent television by going back to the way things were.
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A star-studded, all-singing, all-dancing, jolly good time.
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We review Puteri Gunung Ledang.
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Netflix's latest Christmas romance is weaponised YA fare.
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In this second season of Philip Pullman's His Dark Materials there are more witches, more worlds, fewer polar bears, some Dust, and some dark matter.
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Walt Disney Animation's Fantasia turns 80 this year and Bahir decided to take a look back at all the dancing fairies, and elephants and classical music.
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We recap the third episode of the second season of The Mandalorian.
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As Discovery's crew finally reach Federation HQ, Bahir and Iain are standing by with this episode's debrief.
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The Crown returns to Netflix for a fourth season that is every bit as enjoyable as the previous three, and yet still manages to surprise.
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Bahir likes to review movies because he can watch them at special screenings and not have to interact with large groups of people who may not agree with his idea of what a movie going experience is. Bahir likes jazz, documentaries, Ken Burns, and summer blockbuster movies. He really hopes that the HBO MAX Green Lantern series will help the character be cool again. Also don’t get him started on Jason Momoa’s Aquaman (#NotMyArthurCurry).
Irish Film lover lost in Malaysia. Co-host of Malaysia's longest running podcast (movie related or otherwise ) McYapandFries and frequent cryer in movies. Ask me about "The Ice Pirates"
Uma has been reviewing things for most of his life: movies, television shows, books, video games, his mum's cooking, Bahir's fashion sense. He is a firm believer that the answer to most questions can be found within the cinematic canon. In fact, most of what he knows about life he learned from Ace Ventura: Pet Detective. He still hasn't forgiven Christopher Nolan for the travesties that are Interstellar and The Dark Knight Rises.
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