Last week, Bahir asked if buying a Nintendo Switch was a good idea. Uma and Iain said "yes" WAY TOO FAST, so they're here to explain why.
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An octopus narrator. A grieving widow. A lonely young man. The internet wept; Matthew didn't. What that says about cosy, Netflix, and feeling.
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Season 2 of Beef serves up a subtler, more restrained form of anger, but loses the cultural specificity that made Season 1 essential.
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We spoke to Karl Urban about being on the angriest show on TV, becoming Billy Butcher, and the secrets of franchise filmmaking.
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How much of your partner's past are you actually willing to accept? One film, one confession, and no easy answers.
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For the second time this year, the Japanese Film Festival is happening at GSC! Want tickets? Join now to stand a chance to win!
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Is Ghostbusters: Afterlife a loving update to a cherished franchise or a cynical cash grab? Our inner 11-year-old says it's the former.
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We speak to the Encanto directors about whether there was any pressure in being responsible for Disney's landmark 60th animated feature.
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We speak to Encanto producers Yvett Merino and Clark Spencer about what it was like making an animated feature during a pandemic.
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The Princess Switch 3: Romancing The Star was never going to set the world on fire, but here are 10 burning questions I had while watching it.
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Hawkeye, a throwback to Marvel's everyman roots, is a smaller, intimate, and low stakes Christmas caper that's just perfect for the season.
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Ahead of Peter Jackson's reframing of The Beatles' final days, we rewatch and revisit Michael Lindsay-Hogg's original take in Let It Be.
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Home Sweet Home Alone is the worst kind of remake. It's lazy, witless, and uninventive. Do yourself a favour and watch the original instead.
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We speak with show creator Danny Strong and author Beth Macy about how OxyContin has plagued America and the trust deficit it has caused.
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In this week's installment of The Goggler Pull List, we review Primordial, the brand new alternative take on the space race from Jeff Lemire and Andrea Sorrentino.
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We review The Liberator, The New Mutants, and The Crown.
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Wait... there's another one?
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The most important television reunion you'll see this year.
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You know what? I didn't hate it.
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75 years on from the end of World War II, filmmakers are still finding new stories to tell. Can Netflix's The Liberator stand out from the crowd?
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Let's re-invent television by going back to the way things were.
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A star-studded, all-singing, all-dancing, jolly good time.
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We review Puteri Gunung Ledang.
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Netflix's latest Christmas romance is weaponised YA fare.
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In this second season of Philip Pullman's His Dark Materials there are more witches, more worlds, fewer polar bears, some Dust, and some dark matter.
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Walt Disney Animation's Fantasia turns 80 this year and Bahir decided to take a look back at all the dancing fairies, and elephants and classical music.
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Bahir likes to review movies because he can watch them at special screenings and not have to interact with large groups of people who may not agree with his idea of what a movie going experience is. Bahir likes jazz, documentaries, Ken Burns, and summer blockbuster movies. He really hopes that the HBO MAX Green Lantern series will help the character be cool again. Also don’t get him started on Jason Momoa’s Aquaman (#NotMyArthurCurry).
Irish Film lover lost in Malaysia. Co-host of Malaysia's longest running podcast (movie related or otherwise ) McYapandFries and frequent cryer in movies. Ask me about "The Ice Pirates"
Uma has been reviewing things for most of his life: movies, television shows, books, video games, his mum's cooking, Bahir's fashion sense. He is a firm believer that the answer to most questions can be found within the cinematic canon. In fact, most of what he knows about life he learned from Ace Ventura: Pet Detective. He still hasn't forgiven Christopher Nolan for the travesties that are Interstellar and The Dark Knight Rises.
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