
Last week, Bahir asked if buying a Nintendo Switch was a good idea. Uma and Iain said "yes" WAY TOO FAST, so they're here to explain why.
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An octopus narrator. A grieving widow. A lonely young man. The internet wept; Matthew didn't. What that says about cosy, Netflix, and feeling.
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Season 2 of Beef serves up a subtler, more restrained form of anger, but loses the cultural specificity that made Season 1 essential.
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We spoke to Karl Urban about being on the angriest show on TV, becoming Billy Butcher, and the secrets of franchise filmmaking.
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How much of your partner's past are you actually willing to accept? One film, one confession, and no easy answers.
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For the second time this year, the Japanese Film Festival is happening at GSC! Want tickets? Join now to stand a chance to win!
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We review Prebet Sapu and West Side Story.
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Muzzamer Rahman's Prebet Sapu is a rare Malaysian movie that actually deserves your time and attention. Watch it early and watch it often.
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Danish Oscar winner Another Round arrives in Malaysian cinemas this week. Here's why we think it's worth catching on the big screen.
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This week, our Feisty Indian Aunty watches Safe on Netflix and is left pondering what she would do if her child ever went missing.
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The Power of the Dog, one of this year's awards season favorites from Jane Campion, left us feeling cold over here at Goggler. Why is that?
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Here are three of the biggest differences we saw between Wise and Robbins' and Spielberg's takes on the Broadway classic West Side Story.
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We review The Power of the Dog and Ghostbusters: Afterlife.
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60 years on, Steven Spielberg still manages to give his adaptation of West Side Story new life. But is it better than the original?
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James Bond will return. Because he always does. But what's in store for the future of the franchise? We have plenty of thoughts.
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We review The Call and Mank.
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Star Trek Discovery settles into a new groove with a trip to Book's home planet and the arrival of a new nemesis, the Emerald Chain's Osyraa.
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We've made the ultimate explainer for what happens at the end of The Call. There are pictures and everything.
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We speak to Ken Leung!
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China's first big budget disaster movie is a reminder that movies can, and should, also be gratuitous thrill rides.
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Mosul is a war movie without any white-saviours, big wins, heroic moments, big showdowns, or big villains. And it works. Oh so very well.
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Despite being a remake of a remake, The Call on Netflix, with its tight storytelling and great performances, still manages to surprise.
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Don't let the presence of Nicolas Cage and Tony Jaa in Jiu Jitsu fool you. This Predator rip-off isn't even so bad it's good. It's just bad
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The Beast is as "generic" an action movie as you're likely to watch. Lead actor Fabrizio Gifuni, however, just about manages to elevate it to "gripping."
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American Murder: The Family Next Door is a documentary about a fairly straightforward crime, but told in a very 21st century way.
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Don't believe the hype, The Happiest Season isn't nearly as subversive as it's made out to be. Kristen Stewart's great though.
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We recap the fifth episode of the second season of The Mandalorian.
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Bahir likes to review movies because he can watch them at special screenings and not have to interact with large groups of people who may not agree with his idea of what a movie going experience is. Bahir likes jazz, documentaries, Ken Burns, and summer blockbuster movies. He really hopes that the HBO MAX Green Lantern series will help the character be cool again. Also don’t get him started on Jason Momoa’s Aquaman (#NotMyArthurCurry).
Irish Film lover lost in Malaysia. Co-host of Malaysia's longest running podcast (movie related or otherwise ) McYapandFries and frequent cryer in movies. Ask me about "The Ice Pirates"
Uma has been reviewing things for most of his life: movies, television shows, books, video games, his mum's cooking, Bahir's fashion sense. He is a firm believer that the answer to most questions can be found within the cinematic canon. In fact, most of what he knows about life he learned from Ace Ventura: Pet Detective. He still hasn't forgiven Christopher Nolan for the travesties that are Interstellar and The Dark Knight Rises.


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