A Green Lantern newcomer reviews the Lanterns pilot: strong leads, a slow-bake mystery, and a show that never locks you out.
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Netflix's Human Vapor turns Japan's discarded workers into a monster made of gas. An eight-episode reimagining smarter than its premise suggests.
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Season 2 of Netflix's Avatar is a real improvement, but it keeps flinching from the darkness that made the original a masterpiece.
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In Best of the World, Nat Geo hands the keys to Queer Eye's Antoni Porowski for a tour of four of the world's most over-documented cities.
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The Duffer Brothers build a retirement village so perfectly artificial it becomes its own horror. The alien parasites are almost beside the point.
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Season 2 of Beef serves up a subtler, more restrained form of anger, but loses the cultural specificity that made Season 1 essential.
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In Netflix's Inside the Manosphere, Louis Theroux exposes the Internet's alpha males for what they really are - just boys.
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Pierpoint is gone, but Industry isn't. Season 4 trades the bank for something darker — and becomes its best season yet.
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A swoon-worthy return to form, Bridgerton Season 4 restores romance and sparkle after last season’s misstep.
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In Disney+'s High Potential, an eccentric single mother brings out the best in the oldest of detective tropes.
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Welcome to Derry explores racism, family, and friendship, but its crowded storytelling and muted horror keep it from being truly great.
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Dr. Matthew Yap contrasts the sixth season of The Handmaid's Tale with how present day America is swinging perilously towards Gilead.
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Watching Generasi: Perfect 10, reminded our writer (and ex-gymnast) Zahra Ah Hadad just how intense the world of sport can be.
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If there ever was a television genre called "elevated coming-of-age," A Good Girl’s Guide to Murder is probably a part of it.
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How does Liam Hemsworth fare as Henry Cavill's replacement? Does Netflix need to stop trying to make The Witcher happen?
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Season 3 of Alice in Borderland feels like a shameless cash grab that exists purely to coast off the popularity of Squid Game.
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Season 3 of The Summer I Turned Pretty, while flawed, was nevertheless a wholesome and satisfying conclusion to Belly's story. (At least until the movie!)
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Murderbot stands apart from other robot stories by focusing on a postman character that has no desire to be anything like us.
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These days, anything related to Neil Gaiman is controversial, so when I watched Season 2 of The Sandman, I made sure to go in with an open mind. Having never read the
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Season 7 of Black Mirror sees Charlie Brooker following through with his intention to steer his stories away from darkness and despair.
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