A swoon-worthy return to form, Bridgerton Season 4 restores romance and sparkle after last season’s misstep.
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In Disney+'s High Potential, an eccentric single mother brings out the best in the oldest of detective tropes.
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Welcome to Derry explores racism, family, and friendship, but its crowded storytelling and muted horror keep it from being truly great.
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Dr. Matthew Yap contrasts the sixth season of The Handmaid's Tale with how present day America is swinging perilously towards Gilead.
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Watching Generasi: Perfect 10, reminded our writer (and ex-gymnast) Zahra Ah Hadad just how intense the world of sport can be.
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If there ever was a television genre called "elevated coming-of-age," A Good Girl’s Guide to Murder is probably a part of it.
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How does Liam Hemsworth fare as Henry Cavill's replacement? Does Netflix need to stop trying to make The Witcher happen?
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Season 3 of Alice in Borderland feels like a shameless cash grab that exists purely to coast off the popularity of Squid Game.
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Season 3 of The Summer I Turned Pretty, while flawed, was nevertheless a wholesome and satisfying conclusion to Belly's story. (At least until the movie!)
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Murderbot stands apart from other robot stories by focusing on a postman character that has no desire to be anything like us.
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These days, anything related to Neil Gaiman is controversial, so when I watched Season 2 of The Sandman, I made sure to go in with an open mind. Having never read the
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Season 7 of Black Mirror sees Charlie Brooker following through with his intention to steer his stories away from darkness and despair.
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In episode one of The Residence, detective Cordelia Cupp watches some of the most important men in Washington DC arguing over who has jurisdiction to investigate a death in the White House.
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Netflix’s new British miniseries Adolescence dispenses with the who and the how to ask a far more interesting and important question: why?
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Toxic Town, a retelling of one of the UK’s biggest environmental scandals, is also of the most important things you'll see on Netflix.
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Dr. Matthew Yap takes a look at Netflix's Cassandra by way of Freud's Das Unheimliche and finds that it dwells comfortably in the uncanny.
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XO, Kitty brings out the best (and sometimes worst) of modern teen dramas — give us more seasons Netflix!
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While undoubtedly superior to its predecessor, Citadel: Diana is still bogged down by narrative flaws that are difficult to overlook.
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Mr. McMahon on Netflix is an insightful - and occasionally surprising - look at a problematic, larger-than-life media mogul.
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Season 3 of HBO's Industry further leans into the toxicity of the financial world and the self-destructive nature of the people who seem to thrive in it.
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