We spoke to Kate Box and Madeleine Sami about their relationship in Season 2, Deadloch's colourful language, and the show's balance of tragedy and comedy.
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The Buffy revival is dead. And maybe that's okay. The show itself taught us that some things are better left at rest.
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In Netflix's Inside the Manosphere, Louis Theroux exposes the Internet's alpha males for what they really are - just boys.
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We sat down with the series executive producers to talk about the show mirroring real world events and the collaboration within Marvel Studios.
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We spoke to co-directors Matt Bettinelli-Olpin and Tyler Gillett about the new rules and how they expanded the lore of the first film.
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We sat down with Imperfect Women creator Annie Wiseman to talk about working with Elisabeth Moss and the emerging female thriller genre.
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We spoke to famed TV director Lesli Linka Glatter about coming on to the show, shooting L.A., and what has been gained and lost in this new age of TV.
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We sat down with the leads of Imperfect Women to talk about their characters, about occupying the uncomfortable spaces, and working with Joel Kinnaman.
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Pierpoint is gone, but Industry isn't. Season 4 trades the bank for something darker — and becomes its best season yet.
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We sat down with Iñaki Godoy and Taz Skylar to talk the show's secret sauce and how they approached shooting season two of One Piece.
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A swoon-worthy return to form, Bridgerton Season 4 restores romance and sparkle after last season’s misstep.
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We spoke to Nicole Brydon Bloom and Sarah Shahi about playing complicated characters and Dan Fogelman's balancing the soapy with the restrained.
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We sat down with series leads Sterling K. Brown and Julianne Nicholson to talk Paradise, music, and show creator Dan Fogelman.
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In Disney+'s High Potential, an eccentric single mother brings out the best in the oldest of detective tropes.
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We sat down with Cross showrunner Ben Watkins to talk about creating new Cross stories and casting Aldis Hodge.
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Heated Rivalry turns a smutty hockey premise into a tender, intentional love story, and a refreshing take on masculinity and intimacy.
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Welcome to Derry explores racism, family, and friendship, but its crowded storytelling and muted horror keep it from being truly great.
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We sat down with Lukita Maxwell to talk becoming more comedic, her prep process, and the show's writing.
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We sat down with Christa Miller to talk about her role as music supervisor and what goes into picking the songs that show up in the series.
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We sat down with producer Zainab Azizi to talk about getting a film like this made for cinema, casting the film's leads, and working with Sam Raimi.
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