The plot of Tiger Stripes reflects the controversy of its Malaysian theatrical release, holding a mirror up to society in more ways than one.
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As an auteur, Mike Flanagan should be spoken about with the same reverence as Scorsese, Anderson, and Hitchcock. Here's why we think so.
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Remember when Black Mirror used to offer us brutal and incisive insights into our twisted relationship with technology? Yeah, we miss it too.
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Netflix's Malaysian marketing campaign for Extraction 2 is the most half-baked, third world effort that you'll encounter this year.
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Dr. Matthew Yap takes a look at the National Geographic series A Small Light and attempts to separate the fact from the fiction.
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Marvel Snap might be one of the best digital collectible card games out there, but it's secretly also a powerful pop culture tool.
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Disney Plus Hotstar might be making all the right decisions in order to succeed in the Asia Pacific market. We're watching to see if it pays off.
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Movies have always been a great reflection of public sentiment. Was Mat Kilau's box office performance an indicator of what happened in GE15?
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95 years ago today, the world changed. And all it took was the story of a Jewish kid defying his father, 11 words, and four seconds.
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We revisit the classic movie, Postcards from the Edge, and make a case for why it remains one of the best Hollywood stories about Hollywood.
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Nick Dorian, our resident Whovian, gushes over why he thinks the future is bright for the Doctor Who franchise.
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With almost every episode running longer than 70 minutes, is Stranger Things 4 proof that you can have too much of a good thing?
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GSC is offering a money-back guarantee on Tiga Janda Melawan Dunia. We think it should apply to every Malaysian movie released in cinemas.
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The problem with Netflix isn't password sharing, it's that they've forgotten how to produce great content.
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Our intrepid intern gives us her somewhat controversial take on Zack Snyder's Man of Steel. Feel free to @ her.
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With every passing year, the Oscars become less and less about celebrating the best that cinema has to offer. Are they still relevant?
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Don't Look Up doesn't deserve to be nominated for Best Picture. Not when it's essentially just a glorified remake of Chicken Little.
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Movie reviewer, no more! With a heavy heart I have to announce that I'm leaving Goggler and movie criticism.
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This week, our Feisty Indian Aunty watches Ultimate Beastmaster and is convinced that the Olympics could learn from it a lesson or two.
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If I had any doubts about Keanu Reeves and Carrie-Ann Moss returning as Neo and Trinity, The Matrix Awakens Tech Demo put them to rest.
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