A film lecturer's Merdeka-week experiment: getting Malaysian and international students to actually watch local cinema, from Abang Adik to Tiger Stripes.
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BTS had a Grammy within reach and left it there. They were right to.
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Mojoku Hilang proves the Malaysian romcom isn't dead. How Min Lim's debut reshapes the genre by putting the kampung before the couple.
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Nolan cast Lupita Nyong'o as Helen of Troy, and the internet found its classicists. What the outrage reveals about who the West still calls beautiful.
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Modern audiences would rather be briefed than unsettled. On lore, explainer culture, and why horror dies the moment you hand the audience a map.
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A film critic who never cries went in to prove Dear You wouldn't get her. A rainbow cookie had other plans. On tearjerkers, defences, and losing.
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A Cannes premiere and a Singapore firestorm. But does Dear You actually earn its emotional payoff, or just tug the easy heartstrings?
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Curry Barker's horror runs on the oldest story there is, so why does it land now? Because it knows precisely who's watching.
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What a Backrooms screening taught me about Gen Alpha, streamer culture, and the slow death of cinema etiquette.
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Sameer is pissed. Malaysians have forgotten how to behave in a cinema, and it's ruining the magic for the rest of us.
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Season 3 of The White Lotus remains a testament to the genius of Mike White and his ability to hold a dark mirror to anything and everything.
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Why did Mickey 17, an imaginative, original, sci-fi offering from Bong Joon-ho, fail to achieve the box office success it deserved.
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Ham Tran's Devil’s Diner is a horror anthology that serves up tales of desire and karmic reckoning with uniquely Vietnamese flavours.
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Watching Babygirl sent Sue Ann down a rabbit hole of conversations regarding shame, kinks, and sexual liberation. Here's what she discovered.
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The Sonic franchise, which has only grown from strength to strength, might just be the benchmark by which to judge video game adaptations.
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In this week's Chick-Film-A, Sue Ann finds herself gagging on Coralie Fargeat's beautifully disturbing body horror: The Substance.
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We take a look at the Hollywood prequel and meditate on whether the origin of a classic tale be as impactful as the original story.
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Whose side are you on? Team Tom or Team Summer? In this week's Chick-Film-A, Sue Ann takes a look at why this debate continues to endure.
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Why do some adaptations transcend their source material while others become cautionary tales? How important is loyalty to the original work?
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We’ve all seen the genius marketing for Longlegs, but how did this approach skyrocket in popularity within the horror genre?
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