Movies - Page 4

Smile 2 is a worthy horror sequel that ups the ante of its predecessor but remains plagued by some of its same issues.

While The Platform 2 does offer some new perspectives and philosophical quandaries, the overall story still comes off as a little undigested.

Rupert Sanders' remake of The Crow is bland and exaggeratedly violent, with stakes so empty, that It fails to make us care.

The Mouse Trap is yet another shameless horror cash grab that should never have existed. Just burn it. Burn it with fire.

The Polish movie Inheritance wants to be Knives Out, but ends up feeling like its poor, unsophisticated cousin.

Beetlejuice Beetlejuice is a riotously amusing watch that reignites the whimsical madness we cherished in Tim Burton's original.

Watching It Ends With Us feels as if you’re witnessing a tug-of-war between conflicting visions. The result is incredibly messy.

Nithilan Swaminathan's Maharaja is a non-linear, Nolan-esque effort that brings a fresh take on an old idea.

Zoe Kravitz’s Blink Twice is a meet-cute Cinderella tale that gradually unravels into a twisty Get Out-esque satirical thriller.

Kevin Costner's Horizon is clearly a labour of love, but even that can’t hide the fragmented, incomplete, and bloated narrative of the movie.

M. Night Shyamalan's Trap may not be the best psychological thriller out there, but it is undeniably a blast to watch.

Srikanth is an unsanitized and inspiring true story of one man's journey in overcoming the barriers and boxes that society places upon him.

Project Silence has a promising premise that is ultimately squandered by uninspired tropes and piss poor execution.

Mystic Singer is riddled with so many issues and inconsistencies that it will leave you more frustrated than frightened.

Wim Wenders Perfect Days offers us a profoundly meditative look into the beauty that we take for granted every day.

I Saw the TV Glow, with its deep rooted symbolism and clever confrontations of identity, makes for a hauntingly beautiful allegory.

The Corpse Washer is a generic Indonesian horror that proves that much like ultra-processed food, simulated scares are just empty calories.

Lee Isaac Chung's Twisters is an endlessly entertaining reminder of why we love the summer blockbuster. More of these please.

A Quiet Place: Day One is proof that there is still plenty of new ideas left in this ingeniously silent scarefest.