Movies - Page 4

M. Night Shyamalan's Trap may not be the best psychological thriller out there, but it is undeniably a blast to watch.

Srikanth is an unsanitized and inspiring true story of one man's journey in overcoming the barriers and boxes that society places upon him.

Project Silence has a promising premise that is ultimately squandered by uninspired tropes and piss poor execution.

Mystic Singer is riddled with so many issues and inconsistencies that it will leave you more frustrated than frightened.

Wim Wenders Perfect Days offers us a profoundly meditative look into the beauty that we take for granted every day.

I Saw the TV Glow, with its deep rooted symbolism and clever confrontations of identity, makes for a hauntingly beautiful allegory.

The Corpse Washer is a generic Indonesian horror that proves that much like ultra-processed food, simulated scares are just empty calories.

Lee Isaac Chung's Twisters is an endlessly entertaining reminder of why we love the summer blockbuster. More of these please.

A Quiet Place: Day One is proof that there is still plenty of new ideas left in this ingeniously silent scarefest.

Mai is a rom-com potboiler that strives for everything - emotional peaks and lows, forbidden love, cultural commentary - and mostly achieves it.

Netflix's latest live-action adaptation of City Hunter is an explosively entertaining treat for anime fans.

Why are Malaysian audiences all abuzz over How to Make Millions Before Grandma Dies? We take a look at whether it lives up to the hype.

Jerry Seinfeld's directorial debut doesn't snap, crackle, or pop. Unfrosted is not “Grrreat!” in any way or form.

Atlas is an amalgamation of ideas from many, better sci-fi movies, with none of the qualities that made them great.

With a bigger budget and a better writer, Winnie the Pooh: Blood and Honey 2 makes for a much more watchable sequel.