A Real Pain is an brilliant meditation on grief, the human condition, and how we each have chosen to deal with trauma.
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Do Captain America: Brave New World and the MCU deserve the kind of negativity they're receiving? We don't think so.
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Mohnish Rajakumaran makes the case for why he thinks young people need to immerse themselves in Hirokazu Kore-eda's Maborosi.
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Ten years later, the less-than-great steamy success of 50 Shades has created its own subsection of films and TV.
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Dr. Matthew Yap looks to Woman of the Hour and Late Night with the Devil to explain our fascination and anxiety with Reality TV.
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Ham Tran's Devil’s Diner is a horror anthology that serves up tales of desire and karmic reckoning with uniquely Vietnamese flavours.
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Watching Babygirl sent Sue Ann down a rabbit hole of conversations regarding shame, kinks, and sexual liberation. Here's what she discovered.
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Payal Kapadia's All We Imagine as Light is a melancholy ode to the working class lives of women in Mumbai.
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The Sonic franchise, which has only grown from strength to strength, might just be the benchmark by which to judge video game adaptations.
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In this week's Chick-Film-A, Sue Ann finds herself gagging on Coralie Fargeat's beautifully disturbing body horror: The Substance.
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We take a look at the Hollywood prequel and meditate on whether the origin of a classic tale be as impactful as the original story.
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While it doesn't quite hit the highs of the original, Kahar: Kapla High Council is nevertheless a truly strong addition to the franchise.
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We spoke to director Takeshi Fukunaga about his deeply moving and profoundly human documentary, Ainu Puri.
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While This Land of Mine has some ambitious ideas, it doesn't quite take enough risks in order to make a real impact.
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The Hollywood Christmas movie is a long and time honoured tradition. Home Alone. A Muppet Christmas Carol. It’s a Wonderful Life. Elf. The Holiday. Over the years, Tinseltown (pun intended) has had
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It's What's Inside on Netflix leans heavily into style over substance, offering more aesthetics than meaningful insight.
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What does Venom: The Last Dance - supposedly the final movie in this trilogy - mean for Sony's Spider-Man Universe moving forward?
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While not a stand out by any means, Don't Move is nevertheless a compelling high concept thriller that hits all the relevant notes.
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While Outside may not be a landmark zombie movie, it is still an important and very welcome addition to the canon.
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Kiyotaka Oshiyama's Look Back is a powerful and bittersweet ode to friendship that punches far above its succinct run time.
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