Leigh Whannel's whip smart reboot of The Invisible Man marries the core concept with a more conventional thriller plot to excellent effect.
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Iain checks out the documentary on 1996's The Island of Doctor Moreau, director Richard Stanley's last film before Color out of Space.
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Blumhouse's Fantasy Island, takes the classic television series, adds a few twists, and tries to make it something darker.
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You're either a dog person or you just wouldn't care.
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In the latest entry in our Richard Stanley retrospective, Iain takes a look at the South African director's second film: Dust Devil.
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South Korea's top super spy dreams of being something MORE. An online comics artist! But can he truly leave his past behind?
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As the GSC's Pavilion KL branch closed permanently this February 17th, Iain looks back on his history with his "local" cinema.
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Smart. Contemporary. Self-aware. Greta Gerwig's Little Women is unlike every other previous adaptation of Louisa May Alcott's novel.
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Ahead of the release of Color Out of Space starring Nicholas Cage, Iain catches up with director Richard Stanley's previous films.
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You've seen it in colour. Now go see it again in black and white.
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Is it a worthy addition to Bond canon?
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At a loss for what to do on Valentine's Day? We've got you covered.
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Good video game movie adaptations are rarer than extra lives. After an extensive redesign does the Sonic the Hedgehog make the cut?
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Guy Ritchie is back doing Guy Ritchie movies that are set in England, with gangsters and drug dealers and boxers.
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Michael Fimognari directs a flawed but nonetheless charming sequel to 2018's breakout hit.
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Find out how Iain, Bahir, and Uma fared with their Oscar predictions.
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As Studio Ghibli's back catalogue comes to Netflix outside the US, Canada, and Japan, Iain revisits Laputa: Castle in the Sky.
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Ahead of Sunday's Academy Awards, Uma looks at 1917's chances of winning the Best Picture Oscar.
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Ahead of Sunday's Academy Awards, Bahir looks at Parasite's chances of winning the Best Picture Oscar.
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Ahead of Sunday's Academy Awards Iain states his case for why Jojo Rabbit should win the Best Picture Oscar.
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