In Netflix's new comedy, Eurovision Song Contest: The Story of Fire Saga, Will Ferrell is a man-baby in yet another movie with an overstuffed title.
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Studio Colorido's latest feature, the charming and whimsical A Whisker Away, further cements their reputation as an anime powerhouse.
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Take a look at what Malaysians had to say about returning to cinemas in this age of COVID-19. The results of our survey are in and they may surprise you.
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When a low budget Malaysian action-horror-comedy with a title like Space Ninjas pops up on Amazon Prime, Iain can't resist checking it out.
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Timely. Relevant. Important. Yet incredibly disjointed and messy.
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Jodorowsky's Dune is a documentary on the failed attempt to make the first adaptation of Frank Herbert's sci-fi epic novel.
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Kenneth Branagh delivers Disney's biggest dud since Ava Duvernay ruined A Wrinkle in Time.
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Writer/director Andrew Patterson's debut feature, The Vast of Night, is an enjoyable callback to the science fiction television (and radio!) of yore.
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The Last Days of American Crime, Olivier Megaton's adaptation of a graphic novel by Rick Remender and Greg Tocchini, is an interminable bore.
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Why are South Asian Americans such good spellers?
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Calm down fanboys. We made a list of five - far more compelling - "Director's Cuts" that we'd like to see some day.
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What better way to rekindle a dying relationship than to immerse yourself in a criminal conspiracy?
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Take up the challenge! Answer the call!
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The Wrong Missy, a "comedy" that's premised on sending the right text to the wrong person, is profoundly dull and deeply unfunny.
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How far would you go for a loved one who's been railroaded by injustice? Would you go as far as murder? That's the choice facing the cast of Netflix's latest Indian movie.
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In a time when everyone and his uncle has a Netflix comedy special, 23 Hours to Kill, is a great reminder of what a real one of those looks and sounds like.
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