Netflix's K-Pop Demon Hunters was a niche passion project that turned into a global phenomenon — how did it happen?
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After 12 years, 10 features, 8 spinoffs, and one very tired demon nun, just how did it all go horribly wrong with The Conjuring franchise?
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Here's everything that F1 gets right and wrong about the sport.
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From Sketch to Scale. Toothless is back, and he’s more real than ever. This one will restore your faith in live action adaptions.
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Bullet Train Explosion is about bullet trains and explosions. How can you not love a good, old-fashioned Japanese disaster flick?
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Read the first article in our series that explores the pivotal role that Superman has played in our popular culture.
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Why did Mickey 17, an imaginative, original, sci-fi offering from Bong Joon-ho, fail to achieve the box office success it deserved.
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How long is too long of a movie? At what point does an extended runtime enhance storytelling rather than simply test the audience's patience?
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In this edition of Chick-Film-A, Sue Ann finds lessons about life and love in Bridget Jones: Mad About the Boy.
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A Real Pain is an brilliant meditation on grief, the human condition, and how we each have chosen to deal with trauma.
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Do Captain America: Brave New World and the MCU deserve the kind of negativity they're receiving? We don't think so.
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Mohnish Rajakumaran makes the case for why he thinks young people need to immerse themselves in Hirokazu Kore-eda's Maborosi.
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Ten years later, the less-than-great steamy success of 50 Shades has created its own subsection of films and TV.
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Dr. Matthew Yap looks to Woman of the Hour and Late Night with the Devil to explain our fascination and anxiety with Reality TV.
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Ham Tran's Devil’s Diner is a horror anthology that serves up tales of desire and karmic reckoning with uniquely Vietnamese flavours.
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Watching Babygirl sent Sue Ann down a rabbit hole of conversations regarding shame, kinks, and sexual liberation. Here's what she discovered.
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Payal Kapadia's All We Imagine as Light is a melancholy ode to the working class lives of women in Mumbai.
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The Sonic franchise, which has only grown from strength to strength, might just be the benchmark by which to judge video game adaptations.
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In this week's Chick-Film-A, Sue Ann finds herself gagging on Coralie Fargeat's beautifully disturbing body horror: The Substance.
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We take a look at the Hollywood prequel and meditate on whether the origin of a classic tale be as impactful as the original story.
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