With 2020 coming to a close, Bahir puts together his top 3 list of movies of the year, his honourable and dishonourable mentions, and movies he's missed.
MoreWith 2020 nearly over, Iain looks back on his favourite 3 movies of the year, ading in some notes as well as the traditional airing of grievances.
MoreWe speak with The Call director Lee Chung-hyun about his inspirations for the movie and whether or not he plans on making a sequel.
MoreA list of every nitpick and question we had after watching Wonder Woman 1984. This entire article is a spoiler. You have been warned.
MoreAn inconsistent and uninspiring spectacle.
MoreA year after all the hot takes, is Cats a misunderstood classic, or is it really as "bad" as they say? Iain revisits Tom Hooper's reviled musical adaptation.
MoreKhairil M. Bahar confronts and exhumes the grim ghosts of his past and lays it out for us as entertainment.
MoreThe only way you can tell that it's a California Christmas is by the occasional title cards that remind you how many days it is until the big day.
MoreIt's been 20 years since we first heard "pull the lever, Kronk!" Iain takes a fresh look at The Emperor's New Groove.
MoreA surprisingly grounded and intimate take on the end of the world.
MoreLiam Neeson is an "honest" thief who is trying to clear his name after being framed by two crooked FBI agents in yet another serviceable action thriller.
MoreThe new feature length animation from Apple TV+ and multiple Oscar nominee Cartoon Saloon, Wolfwalkers is an animated delight full of surprises.
MoreWe speak to The Prom stars James Corden, Andrew Rannells, and Jo Ellen Pellman.
MoreA painfully paced and emotionally vacant post-apocalyptic parable.
MorePainfully basic, but nevertheless feel good and fun.
MoreIn this interview, we speak to Kerry Washington and Ariana DeBose about their roles in the new Ryan Murphy musical, The Prom.
MoreFrancis Ford Coppola rearranges The Godfather Part III and elevates the movie from being good to being definitive.
MoreWe've made the ultimate explainer for what happens at the end of The Call. There are pictures and everything.
MoreChina's first big budget disaster movie is a reminder that movies can, and should, also be gratuitous thrill rides.
MoreMosul is a war movie without any white-saviours, big wins, heroic moments, big showdowns, or big villains. And it works. Oh so very well.
More
Follow Us