Avatar: Fire and Ash proves that these movies aren't just spectacle but about pushing the limits of what blockbuster storytelling can do.
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Predator: Badlands, the latest reinvention from Dan Trachtenberg, might be the best argument for what this franchise should have been all along.
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Dr. Matthew Yap argues that Paul Greengrass' The Lost Bus is modern manhood and fatherhood under duress, but it is neither fragile nor toxic.
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Netflix's K-Pop Demon Hunters was a niche passion project that turned into a global phenomenon — how did it happen?
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After 12 years, 10 features, 8 spinoffs, and one very tired demon nun, just how did it all go horribly wrong with The Conjuring franchise?
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Here's everything that F1 gets right and wrong about the sport.
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Read the first article in our series that explores the pivotal role that Superman has played in our popular culture.
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Why did Mickey 17, an imaginative, original, sci-fi offering from Bong Joon-ho, fail to achieve the box office success it deserved.
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How long is too long of a movie? At what point does an extended runtime enhance storytelling rather than simply test the audience's patience?
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In this edition of Chick-Film-A, Sue Ann finds lessons about life and love in Bridget Jones: Mad About the Boy.
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Mohnish Rajakumaran makes the case for why he thinks young people need to immerse themselves in Hirokazu Kore-eda's Maborosi.
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Ten years later, the less-than-great steamy success of 50 Shades has created its own subsection of films and TV.
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Dr. Matthew Yap looks to Woman of the Hour and Late Night with the Devil to explain our fascination and anxiety with Reality TV.
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Ham Tran's Devil’s Diner is a horror anthology that serves up tales of desire and karmic reckoning with uniquely Vietnamese flavours.
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The Sonic franchise, which has only grown from strength to strength, might just be the benchmark by which to judge video game adaptations.
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What does Venom: The Last Dance - supposedly the final movie in this trilogy - mean for Sony's Spider-Man Universe moving forward?
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We explore the lasting legacy of Ridley Scott's Alien on the horror genre and it's influence of Fede Álvarez's Alien: Romulus.
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The Idea of You is a lovely little entry to the canon that brings us back to the heyday of romantic comedies.
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Who should inherit this planet? Humankind or apekind? Who exactly does this Kingdom of the Planet of the Apes want you to sympathize with?
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Vampires have daddy issues too... aaand complicated meanings to their existence... as well as empowering final battles.
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