While Kung Fu Panda 4 hits all of the right notes, we can't help but wonder if there's much life left in the franchise moving forward.
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Damsel, the third Millie Bobbie Brown-lead Netflix Original, should deliver a lot more with what it promises from its extravagance.
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Ebrahim Hatamikia's Bodyguard is a deeply meditative study on principles and morality that comes to you in the guise of a suspense thriller.
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Orion and the Dark may not be as memorable as Inside Out, but it still delivers a meaningful message to kids in a fun and engaging manner.
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Self Reliance is a strong first effort by writer/director Jake Johnson that unfortunately plays it a little too safe to leave an impact.
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With the beautiful, scary, and sublime Society of the Snow, J.A. Bayona may have crafted the definitive disaster movie.
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Good Grief, Dan Levy's feature directorial debut, is an overcooked yet underbaked meditation on loss, mourning, and recovery.
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Annette Benning is an absolute beast as Diana Nyad in Netflix's triumphant biopic about one of the world's greatest long-distance swimmers.
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Fan Bingbing's long awaited return to the big screen in Green Night isn't quite as groundbreaking as the movie wants it to be.
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Netflix's post-apocalyptic thriller Nowhere feels like a marriage between The Handmaid’s Tale and Children of Men by way of Castaway.
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Evil Does Not Exist, Ryusuke Hamaguchi's follow up to Drive My Car, is an arthouse exploration on the struggle between progress and nature.
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Augusto Pinochet is El Conde, an ennui-ridden, 250-year-old vampire who is looking for an end to his life. Say no more!
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Prime Video's Totally Killer is a Scream meets Back to the Future mashup that is a lot more fun than it has any right to be.
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Don't overthink it. Just sit back and enjoy the quirky, coming-of-age hijinks in Tetsu Maeda's The Water Flows to the Sea.
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Norihiro Koizumi's The Lines That Define Me is a subtle and unobtrusive meditation on how art can move, inspire, and transform us.
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And Yet, You Are So Sweet might feel like your typical shôjo fare, but that doesn't make it any less entertaining.
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Kei Ishigawa’s A Man is a multilayered meditation and heartfelt journey through identity and prejudices within Japanese society.
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Celine Song's debut, Past Lives, is a movie that is soft and delicate on the surface, yet feels like an absolute gut-punch.
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Follow the Light is a cathartic meditation that explores the importance of social bonds in ensuring the mental well-being of a community.
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A Girl in My Room is a fun, sweet, slice-of-life exploration of two lost souls who are looking for love. (One of whom happens to be a ghost!)
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