Netflix's latest Indonesian import is a cleverly constructed tear-jerker, with two strong leads, and plenty of longing and heartbreak to keep you engrossed.
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We give you two points of view on Sam Levinson's rambling, rage-filled, and relentless new Netflix movie.
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Korea's first ever space opera is just the right kind of big, bright, colourful, kitschy fun.
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This movie has never been more relevant.
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The guy from Short Circuit directs the guy that said Bye Bye Bye in a very moving story about family, acceptance, and quiet strength.
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Does Robert Zemeckis' latest adaptation of Roald Dahl's The Witches live up to the high standard set by Nic Roeg's 1990 version with Anjelica Huston?
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An inconsistent and uninspiring spectacle.
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A year after all the hot takes, is Cats a misunderstood classic, or is it really as "bad" as they say? Iain revisits Tom Hooper's reviled musical adaptation.
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The only way you can tell that it's a California Christmas is by the occasional title cards that remind you how many days it is until the big day.
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It's been 20 years since we first heard "pull the lever, Kronk!" Iain takes a fresh look at The Emperor's New Groove.
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Liam Neeson is an "honest" thief who is trying to clear his name after being framed by two crooked FBI agents in yet another serviceable action thriller.
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The new feature length animation from Apple TV+ and multiple Oscar nominee Cartoon Saloon, Wolfwalkers is an animated delight full of surprises.
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A painfully paced and emotionally vacant post-apocalyptic parable.
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Francis Ford Coppola rearranges The Godfather Part III and elevates the movie from being good to being definitive.
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