Tersanjung: The Movie takes the soppy, schmaltzy, and the sickly sweet and weaves it into something incredibly entertaining.
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Dreamy Eyes, Vietnam's Oscar submission for 2021 is a poignant and melancholy story about unrequited love and growing up.
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A compelling and subversive coming of age story that boldly counters decades of traditional Hollywood tropes.
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Iain had high hopes for Aneesh Chaganty's follow up to the very clever Searching, but Run ends up stumbling.
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Good movies are windows by which we peer into the lives of others. Great movies, like Sound of Metal, give us a door to step through.
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Godzilla vs Kong, the culmination of the "Monsterverse" is EXACTLY as dumb as it sounds, and almost as much fun.
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60 years ago two cinematic giants met, f-ed shit up, fought it out, and then left. You know, like Australians.
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After four years of Internet outrage, fan petitions, and US$70 million, is Zack Snyder's Justice League worth it? Find out in our spoiler free review.
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The latest game adaptation from Paul W.S. Anderson and Milla Jovovich, is an enjoyable romp that surpasses most of their previous output.
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In Apple TV+'s Cherry, Tom Holland does some serious acting, some narrating, some fourth wall breaking, goes to war, gets PTSD, does drugs, and robs banks.
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Eddie Murphy, Arsenio Hall, and the entire population of Zamunda return in Coming 2 America, a belated sequel that leans a little too much on nostalgia.
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Disney blends the mythology of Southeast Asia with their tried and tested formula to create an exciting new action adventure.
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The tragically unfunny Tom & Jerry completely misses the point of the cartoons that it's trying to adapt. Read this rant, but skip the movie.
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Netflix's latest Indonesian import is a cleverly constructed tear-jerker, with two strong leads, and plenty of longing and heartbreak to keep you engrossed.
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We give you two points of view on Sam Levinson's rambling, rage-filled, and relentless new Netflix movie.
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Korea's first ever space opera is just the right kind of big, bright, colourful, kitschy fun.
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This movie has never been more relevant.
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The guy from Short Circuit directs the guy that said Bye Bye Bye in a very moving story about family, acceptance, and quiet strength.
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Does Robert Zemeckis' latest adaptation of Roald Dahl's The Witches live up to the high standard set by Nic Roeg's 1990 version with Anjelica Huston?
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An inconsistent and uninspiring spectacle.
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