A Real Pain is an brilliant meditation on grief, the human condition, and how we each have chosen to deal with trauma.
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Do Captain America: Brave New World and the MCU deserve the kind of negativity they're receiving? We don't think so.
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Payal Kapadia's All We Imagine as Light is a melancholy ode to the working class lives of women in Mumbai.
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In this week's Chick-Film-A, Sue Ann finds herself gagging on Coralie Fargeat's beautifully disturbing body horror: The Substance.
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While it doesn't quite hit the highs of the original, Kahar: Kapla High Council is nevertheless a truly strong addition to the franchise.
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While This Land of Mine has some ambitious ideas, it doesn't quite take enough risks in order to make a real impact.
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The Hollywood Christmas movie is a long and time honoured tradition. Home Alone. A Muppet Christmas Carol. It’s a Wonderful Life. Elf. The Holiday. Over the years, Tinseltown (pun intended) has had
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It's What's Inside on Netflix leans heavily into style over substance, offering more aesthetics than meaningful insight.
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While not a stand out by any means, Don't Move is nevertheless a compelling high concept thriller that hits all the relevant notes.
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While Outside may not be a landmark zombie movie, it is still an important and very welcome addition to the canon.
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Kiyotaka Oshiyama's Look Back is a powerful and bittersweet ode to friendship that punches far above its succinct run time.
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Smile 2 is a worthy horror sequel that ups the ante of its predecessor but remains plagued by some of its same issues.
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While The Platform 2 does offer some new perspectives and philosophical quandaries, the overall story still comes off as a little undigested.
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Rupert Sanders' remake of The Crow is bland and exaggeratedly violent, with stakes so empty, that It fails to make us care.
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The Mouse Trap is yet another shameless horror cash grab that should never have existed. Just burn it. Burn it with fire.
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The Polish movie Inheritance wants to be Knives Out, but ends up feeling like its poor, unsophisticated cousin.
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Beetlejuice Beetlejuice is a riotously amusing watch that reignites the whimsical madness we cherished in Tim Burton's original.
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Watching It Ends With Us feels as if you’re witnessing a tug-of-war between conflicting visions. The result is incredibly messy.
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Nithilan Swaminathan's Maharaja is a non-linear, Nolan-esque effort that brings a fresh take on an old idea.
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Zoe Kravitz’s Blink Twice is a meet-cute Cinderella tale that gradually unravels into a twisty Get Out-esque satirical thriller.
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