The Polish movie Inheritance wants to be Knives Out, but ends up feeling like its poor, unsophisticated cousin.
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Beetlejuice Beetlejuice is a riotously amusing watch that reignites the whimsical madness we cherished in Tim Burton's original.
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Watching It Ends With Us feels as if you’re witnessing a tug-of-war between conflicting visions. The result is incredibly messy.
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Nithilan Swaminathan's Maharaja is a non-linear, Nolan-esque effort that brings a fresh take on an old idea.
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Zoe Kravitz’s Blink Twice is a meet-cute Cinderella tale that gradually unravels into a twisty Get Out-esque satirical thriller.
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Kevin Costner's Horizon is clearly a labour of love, but even that can’t hide the fragmented, incomplete, and bloated narrative of the movie.
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M. Night Shyamalan's Trap may not be the best psychological thriller out there, but it is undeniably a blast to watch.
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Srikanth is an unsanitized and inspiring true story of one man's journey in overcoming the barriers and boxes that society places upon him.
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Project Silence has a promising premise that is ultimately squandered by uninspired tropes and piss poor execution.
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Mystic Singer is riddled with so many issues and inconsistencies that it will leave you more frustrated than frightened.
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Wim Wenders Perfect Days offers us a profoundly meditative look into the beauty that we take for granted every day.
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I Saw the TV Glow, with its deep rooted symbolism and clever confrontations of identity, makes for a hauntingly beautiful allegory.
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The Corpse Washer is a generic Indonesian horror that proves that much like ultra-processed food, simulated scares are just empty calories.
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Lee Isaac Chung's Twisters is an endlessly entertaining reminder of why we love the summer blockbuster. More of these please.
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A Quiet Place: Day One is proof that there is still plenty of new ideas left in this ingeniously silent scarefest.
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Mai is a rom-com potboiler that strives for everything - emotional peaks and lows, forbidden love, cultural commentary - and mostly achieves it.
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Netflix's latest live-action adaptation of City Hunter is an explosively entertaining treat for anime fans.
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Why are Malaysian audiences all abuzz over How to Make Millions Before Grandma Dies? We take a look at whether it lives up to the hype.
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Jerry Seinfeld's directorial debut doesn't snap, crackle, or pop. Unfrosted is not “Grrreat!” in any way or form.
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Atlas is an amalgamation of ideas from many, better sci-fi movies, with none of the qualities that made them great.
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