Sue Ann delivers a funny, and furious look at Lily Allen’s West End Girl, a divorce album that turns heartbreak into blisteringly honest art.
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In the latest Chick-Film-A, Sue Ann laments Netflix's franchise-ification of Squid Game and how this uniquely Asian product is about to be absorbed by the West.
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Sue Ann watches Adolescence and wonders why young boys let themselves be defined by the version of masculinity they see on the Internet?
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In this edition of Chick-Film-A, Sue Ann finds lessons about life and love in Bridget Jones: Mad About the Boy.
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Watching Babygirl sent Sue Ann down a rabbit hole of conversations regarding shame, kinks, and sexual liberation. Here's what she discovered.
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In this week's Chick-Film-A, Sue Ann finds herself gagging on Coralie Fargeat's beautifully disturbing body horror: The Substance.
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Whose side are you on? Team Tom or Team Summer? In this week's Chick-Film-A, Sue Ann takes a look at why this debate continues to endure.
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Beetlejuice Beetlejuice is a riotously amusing watch that reignites the whimsical madness we cherished in Tim Burton's original.
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Watching It Ends With Us feels as if you’re witnessing a tug-of-war between conflicting visions. The result is incredibly messy.
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Zoe Kravitz’s Blink Twice is a meet-cute Cinderella tale that gradually unravels into a twisty Get Out-esque satirical thriller.
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We explore the lasting legacy of Ridley Scott's Alien on the horror genre and it's influence of Fede Álvarez's Alien: Romulus.
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M. Night Shyamalan's Trap may not be the best psychological thriller out there, but it is undeniably a blast to watch.
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Project Silence has a promising premise that is ultimately squandered by uninspired tropes and piss poor execution.
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We’ve all seen the genius marketing for Longlegs, but how did this approach skyrocket in popularity within the horror genre?
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Lee Isaac Chung's Twisters is an endlessly entertaining reminder of why we love the summer blockbuster. More of these please.
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In conjunciton with the 20th anniversary of Before Sunset, we take a look back at why Richard Linklater's romance is the perfect sequel.
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A Quiet Place: Day One is proof that there is still plenty of new ideas left in this ingeniously silent scarefest.
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Apple TV Plus' adaptation of Presumed Innocent is courtroom TV at its best: fast-paced and gripping from the get-go.
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Why are Malaysian audiences all abuzz over How to Make Millions Before Grandma Dies? We take a look at whether it lives up to the hype.
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