Watching Anemone you can't help but wonder whether you can separate the actor from the part. It's a lot harder to do with Daniel Day-Lewis.
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Mohnish Rajakumaran makes the case for why he thinks young people need to immerse themselves in Hirokazu Kore-eda's Maborosi.
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Kiyotaka Oshiyama's Look Back is a powerful and bittersweet ode to friendship that punches far above its succinct run time.
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Season 3 of HBO's Industry further leans into the toxicity of the financial world and the self-destructive nature of the people who seem to thrive in it.
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Rupert Sanders' remake of The Crow is bland and exaggeratedly violent, with stakes so empty, that It fails to make us care.
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Nithilan Swaminathan's Maharaja is a non-linear, Nolan-esque effort that brings a fresh take on an old idea.
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Kevin Costner's Horizon is clearly a labour of love, but even that can’t hide the fragmented, incomplete, and bloated narrative of the movie.
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Wim Wenders Perfect Days offers us a profoundly meditative look into the beauty that we take for granted every day.
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I Saw the TV Glow, with its deep rooted symbolism and clever confrontations of identity, makes for a hauntingly beautiful allegory.
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Netflix's latest live-action adaptation of City Hunter is an explosively entertaining treat for anime fans.
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Kohei Yoshino's Anime Supremacy is a movie that brings to light the harsh realities that come with dreaming for a living.
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Forget the naysayers, Ghostbusters: Frozen Empire is a fun, family friendly romp that successfully balances nostalgia and worldbuilding.
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