Dr. Matthew Yap

Mystic Singer is riddled with so many issues and inconsistencies that it will leave you more frustrated than frightened.

The Corpse Washer is a generic Indonesian horror that proves that much like ultra-processed food, simulated scares are just empty calories.

Mai is a rom-com potboiler that strives for everything - emotional peaks and lows, forbidden love, cultural commentary - and mostly achieves it.

Jerry Seinfeld's directorial debut doesn't snap, crackle, or pop. Unfrosted is not “Grrreat!” in any way or form.

Atlas is an amalgamation of ideas from many, better sci-fi movies, with none of the qualities that made them great.

Netflix's Spaceman is a weighty look at love and marriage that sputters more than it shines. Adam Sandler is fantastic though.

While Kung Fu Panda 4 hits all of the right notes, we can't help but wonder if there's much life left in the franchise moving forward.

Orion and the Dark may not be as memorable as Inside Out, but it still delivers a meaningful message to kids in a fun and engaging manner.

With the beautiful, scary, and sublime Society of the Snow, J.A. Bayona may have crafted the definitive disaster movie.

Good Grief, Dan Levy's feature directorial debut, is an overcooked yet underbaked meditation on loss, mourning, and recovery.