Dr. Matthew Yap takes a look at Netflix's Cassandra by way of Freud's Das Unheimliche and finds that it dwells comfortably in the uncanny.
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Dr. Matthew Yap looks to Woman of the Hour and Late Night with the Devil to explain our fascination and anxiety with Reality TV.
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Ham Tran's Devil’s Diner is a horror anthology that serves up tales of desire and karmic reckoning with uniquely Vietnamese flavours.
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While not a stand out by any means, Don't Move is nevertheless a compelling high concept thriller that hits all the relevant notes.
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While Outside may not be a landmark zombie movie, it is still an important and very welcome addition to the canon.
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While The Platform 2 does offer some new perspectives and philosophical quandaries, the overall story still comes off as a little undigested.
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Poor writing and plot holes are the true horror in this six-part ITV thriller that fails to thrill. Red Eye is intensely bland.
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They say comparison is the thief of joy. So, what if everyone was made equally beautiful and perfect? That should, in theory, eliminate unhappiness and unfulfilled longing. In Uglies, Tally Youngblood can’t
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Here's everything you need to know about Netflix's darkly comic reimagining of Greek mythology: Jeff Goldblum is Zeus!
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The Polish movie Inheritance wants to be Knives Out, but ends up feeling like its poor, unsophisticated cousin.
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Srikanth is an unsanitized and inspiring true story of one man's journey in overcoming the barriers and boxes that society places upon him.
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Mystic Singer is riddled with so many issues and inconsistencies that it will leave you more frustrated than frightened.
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The Corpse Washer is a generic Indonesian horror that proves that much like ultra-processed food, simulated scares are just empty calories.
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Go! Go! Loser Ranger! is a cunningly clever and incredibly playful dissection of the tokusatsu genre of anime.
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Doctor Climax is a raunchy Thai sex comedy that is ambitious, nuanced, occasionally puerile, but never judgmental.
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Mai is a rom-com potboiler that strives for everything - emotional peaks and lows, forbidden love, cultural commentary - and mostly achieves it.
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Jerry Seinfeld's directorial debut doesn't snap, crackle, or pop. Unfrosted is not “Grrreat!” in any way or form.
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Atlas is an amalgamation of ideas from many, better sci-fi movies, with none of the qualities that made them great.
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Baby Reindeer is one of those stranger than fiction true stories that will leave you afraid, scarred, and more than a little heartbroken.
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The Amazing Race, now in its 36th season, remains a real gem in a world that's inundated with mediocre reality TV.
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