Percy Jackson and the Olympians on Disney Plus Hotstar is a joyous pivot away from those prior, mediocre, cinematic efforts.
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With the beautiful, scary, and sublime Society of the Snow, J.A. Bayona may have crafted the definitive disaster movie.
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Good Grief, Dan Levy's feature directorial debut, is an overcooked yet underbaked meditation on loss, mourning, and recovery.
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As an auteur, Mike Flanagan should be spoken about with the same reverence as Scorsese, Anderson, and Hitchcock. Here's why we think so.
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As Season 2 of The Gilded Age comes to a close, our correspondent Dr. Matthew Yap shares how he felt this season progressed.
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Annette Benning is an absolute beast as Diana Nyad in Netflix's triumphant biopic about one of the world's greatest long-distance swimmers.
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Netflix's post-apocalyptic thriller Nowhere feels like a marriage between The Handmaid’s Tale and Children of Men by way of Castaway.
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Netflix's adaptation of Anthony Doerr's All the Light We Cannot See is a messy, oversentimental, guilty pleasure.
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The Gilded Age has all the makings of a great show, but can it rise to the heights of Julian Fellowes' previous period triumph, Downton Abbey?
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Augusto Pinochet is El Conde, an ennui-ridden, 250-year-old vampire who is looking for an end to his life. Say no more!
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Follow the Light is a cathartic meditation that explores the importance of social bonds in ensuring the mental well-being of a community.
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A Girl in My Room is a fun, sweet, slice-of-life exploration of two lost souls who are looking for love. (One of whom happens to be a ghost!)
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Remember when Black Mirror used to offer us brutal and incisive insights into our twisted relationship with technology? Yeah, we miss it too.
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Dr. Matthew Yap takes a look at the National Geographic series A Small Light and attempts to separate the fact from the fiction.
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