Doctor Climax is a raunchy Thai sex comedy that is ambitious, nuanced, occasionally puerile, but never judgmental.
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Mai is a rom-com potboiler that strives for everything - emotional peaks and lows, forbidden love, cultural commentary - and mostly achieves it.
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Jerry Seinfeld's directorial debut doesn't snap, crackle, or pop. Unfrosted is not “Grrreat!” in any way or form.
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Atlas is an amalgamation of ideas from many, better sci-fi movies, with none of the qualities that made them great.
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Baby Reindeer is one of those stranger than fiction true stories that will leave you afraid, scarred, and more than a little heartbroken.
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The Amazing Race, now in its 36th season, remains a real gem in a world that's inundated with mediocre reality TV.
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Netflix's Spaceman is a weighty look at love and marriage that sputters more than it shines. Adam Sandler is fantastic though.
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While Kung Fu Panda 4 hits all of the right notes, we can't help but wonder if there's much life left in the franchise moving forward.
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Orion and the Dark may not be as memorable as Inside Out, but it still delivers a meaningful message to kids in a fun and engaging manner.
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Percy Jackson and the Olympians on Disney Plus Hotstar is a joyous pivot away from those prior, mediocre, cinematic efforts.
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With the beautiful, scary, and sublime Society of the Snow, J.A. Bayona may have crafted the definitive disaster movie.
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Good Grief, Dan Levy's feature directorial debut, is an overcooked yet underbaked meditation on loss, mourning, and recovery.
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As an auteur, Mike Flanagan should be spoken about with the same reverence as Scorsese, Anderson, and Hitchcock. Here's why we think so.
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As Season 2 of The Gilded Age comes to a close, our correspondent Dr. Matthew Yap shares how he felt this season progressed.
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Annette Benning is an absolute beast as Diana Nyad in Netflix's triumphant biopic about one of the world's greatest long-distance swimmers.
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Netflix's post-apocalyptic thriller Nowhere feels like a marriage between The Handmaid’s Tale and Children of Men by way of Castaway.
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Netflix's adaptation of Anthony Doerr's All the Light We Cannot See is a messy, oversentimental, guilty pleasure.
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The Gilded Age has all the makings of a great show, but can it rise to the heights of Julian Fellowes' previous period triumph, Downton Abbey?
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Augusto Pinochet is El Conde, an ennui-ridden, 250-year-old vampire who is looking for an end to his life. Say no more!
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Follow the Light is a cathartic meditation that explores the importance of social bonds in ensuring the mental well-being of a community.
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