Payal Kapadia's All We Imagine as Light is a melancholy ode to the working class lives of women in Mumbai.
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Celine Song's debut, Past Lives, is a movie that is soft and delicate on the surface, yet feels like an absolute gut-punch.
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We revisit the classic movie, Postcards from the Edge, and make a case for why it remains one of the best Hollywood stories about Hollywood.
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Books and literature have always been a rich source of inspiration for filmmakers. Here are 7 novels that we can't wait to see adapted.
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Minions: The Rise of Gru feels like an ambitious effort, but with one foot in the grave, it’s hard to recreate the magic of Despicable Me.
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Ejen Ali is so good that you can go into Season 3 without having watched a single episode of it and still be completely invested in it.
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In celebration of Baz Luhrmann's ELVIS, we've put together a list of all the best ways his music has been used in movies.
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In celebration of the 25th anniversary of Hercules, we take a look at why the movie remains one of Disney's best animated efforts.
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Ms. Marvel is the MCU's latest superhero. Here's everything you need to know about her before watching the series on Disney Plus Hotstar.
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You may have missed Autumn de Wilde’s adaptation of Emma. in the pandemic shuffle, but you have no excuse now that it's on Netflix.
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Our resident Zoomer gives us her take on Top Gun: Maverick and whether or not it appeals to her generation of moviegoers.
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Season 4 of Stranger Things almost upon us. Here's a handy dandy list to help you refresh your memory of everything that's happened so far.
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Bubble (not The Bubble!), Netflix's latest anime offering, is a visual feast but a narrative dud.
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Watching Heartstopper, Netflix's adaptation of Alice Oseman's popular webcomic, is like receiving a big, warm, bear hug.
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Roar on Apple TV Plus provides a magical realist take on the plight of women in the modern world. We rank every episode.
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Our intrepid intern gives us her somewhat controversial take on Zack Snyder's Man of Steel. Feel free to @ her.
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All the Old Knives is an old-fashioned, complex, and refreshing pick outside of the current sea of superhero-action features.
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Two Weeks Notice meets The Proposal meets The Mummy, The Lost City is about as Sandra Bullock as a Sandra Bullock rom-com gets.
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Don't Look Up doesn't deserve to be nominated for Best Picture. Not when it's essentially just a glorified remake of Chicken Little.
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Yasmin Ahmad's Mukhsin only serves to reinforce why the director remains such a beloved and inspirational force in Malaysian cinema.
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