Who should inherit this planet? Humankind or apekind? Who exactly does this Kingdom of the Planet of the Apes want you to sympathize with?
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Ebrahim Hatamikia's Bodyguard is a deeply meditative study on principles and morality that comes to you in the guise of a suspense thriller.
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Death's Game might be a departure from the webtoon that it's based on, but we're still hoping that it'll come together in its second half.
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BTS Monuments: Beyond the Star is very much for BTS fans and may still be mystifying to outsiders hoping to understand the hype.
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Fan Bingbing's long awaited return to the big screen in Green Night isn't quite as groundbreaking as the movie wants it to be.
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Evil Does Not Exist, Ryusuke Hamaguchi's follow up to Drive My Car, is an arthouse exploration on the struggle between progress and nature.
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Blue Eye Samurai is a magnificent piece of anime storytelling, but it doesn't really go as far as its creators would have you believe.
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Netflix's Bodies isn't a bad show. The problem with it is that it seems to completely miss the point of its source material.
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Prime Video's Totally Killer is a Scream meets Back to the Future mashup that is a lot more fun than it has any right to be.
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Netflix's Castlevania: Nocturne has everything you could ask for in your Castlevania fare. Exciting action. Violence. Mayhem. Sex appeal.
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A Time Called You on Netflix delivers on all fronts, even elevating itself beyond the original Taiwanese source material.
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Don't overthink it. Just sit back and enjoy the quirky, coming-of-age hijinks in Tetsu Maeda's The Water Flows to the Sea.
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Norihiro Koizumi's The Lines That Define Me is a subtle and unobtrusive meditation on how art can move, inspire, and transform us.
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Kei Ishigawa’s A Man is a multilayered meditation and heartfelt journey through identity and prejudices within Japanese society.
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Netflix's latest Korean rom-com Love and Leashes does a much much better job at depicting BDSM culture than its Western counterparts.
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