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Modern audiences would rather be briefed than unsettled. On lore, explainer culture, and why horror dies the moment you hand the audience a map.
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We sat down with the series newcomers to talk about playing characters who don't know what's coming and the show's grounded sci-fi tone.
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A film critic who never cries went in to prove Dear You wouldn't get her. A rainbow cookie had other plans. On tearjerkers, defences, and losing.
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We sat down Alexandria Riley and Common to talk about how they approach their characters and we asked Common about giving up control as an actor.
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Season 2 of Netflix's Avatar is a real improvement, but it keeps flinching from the darkness that made the original a masterpiece.
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We sat down with Graham Yost and Rebecca Ferguson to talk about science fiction and the real world and how a TV pilot should introduce new jargon.
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A Cannes premiere and a Singapore firestorm. But does Dear You actually earn its emotional payoff, or just tug the easy heartstrings?
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Curry Barker's horror runs on the oldest story there is, so why does it land now? Because it knows precisely who's watching.
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In Best of the World, Nat Geo hands the keys to Queer Eye's Antoni Porowski for a tour of four of the world's most over-documented cities.
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We sat down with K Callan to talk about the secrecy around Widow's Bay and her extensive filmography.
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